Fabiano do Nascimento – Dança dos Tempos – with Airto Moreira, from Now-Again Records

Now-Again — February 24, 2015 | Comments (1)

ON SALE NOW: FABIANO DO NASCIMENTO – DANCA DOS TEMPOS

Fabiano do Nascimento’s debut album: folkloric Brasilian/Afro-Brasilian, featuring Airto Moreira.

Dança dos Tempos is the debut album from Brasilian guitarist Fabiano do Nascimento, featuring legendary percussionist Airto Moreira in his first album project in over ten years. Dança dos Tempos follows folkloric Brasilian music as experienced through the mind and able fingers of an expansive musician, not yet thirty years old, and combines the heady ‘60s and ‘70s experimentalism of Hermeto Pascoal and Baden Powell with the childlike elegance of music played and passed down by native Brasilians for generations. It is the second Brasilian album released on Now-Again, following Seu Jorge and Almaz.

Moreira, the bandleader, songwriter and producer, plays percussion on the album and is joined by Fabiano do Nascimento’s long time drummer, Ricardo “Tiki” Pasillas on trap drums. Do Nascimento and Kana Shimanuki handle vocals on what is otherwise an airy instrumental album that allows the guitarist’s virtuosity to shine through originals, folkloric Brasilian songs, and select covers by the likes of Pascoal and Powell, both formative influences on the guitarist.

These duets show the camaraderie that two master Brasilian musicians – of two different generations, but of the same spirit – share with comrades of ages past as they imagine music for the years to come. These tracks were recorded live in the studio with no overdubs by producer Luther Russell and engineer Jason Hiller – straight to 2-inch analog-tape, and only sparingly mastered to focus on the subtleties of the performances.

Here is a short film about the project shot and edited by Bennett Piscitelli.

J Dilla x Stussy Tee – DILLA COLLAGE

J Dilla — February 10, 2015 | Comments (15)

ON SALE: J DILLA X STUSSY: DILLA COLLAGE (BLACK) | J DILLA X STUSSY: DILLA COLLAGE (WHITE)

The new Stussy and J Dilla tee is here. This will be the third t-shirt collaboration between the iconic street wear brand Stussy and The Estate of James Yancey. Tees are on sale and shipping now from Rappcats.com and Stussy. Rappcats ships worldwide.


Madlib T-shirts.

Madlib — January 21, 2015 | Comments (1)

Madlib T-shirts are available again. Quasimoto Q.E. is a homage to Public Enemy, their logo flipped by Jeff Jank. Madlib by Parra is the Dutch illustrator’s nearly impossible-to-read take on the Los Angeles Dodgers logo. Aliases is a tribute to the many characters of Madlib’s musical universe, designed by Brent Rollins. Smoked Out … yes, that says “Madlib” … this was designed by Gustavo Eandi for Madlib Medicine Show #11.



THESE ARE THE JB’S, the lost James Brown / Bootsy Collins album, second edition.

Now-Again — January 20, 2015 | Comments (1)

IN THE SHOP: THE J.B.’s – THESE ARE THE J.B.’s (Second edition)

By popular demand, a second edition of the lost James Brown/Bootsy Collins album. 1LP, Standard LP jacket, booklet. Now shipping

Last year we quickly sold out of the J.B.’s album These Are The J.B.’s, released by Now-Again Records. We sold out so fast that we and the label were inundated with requests from funk fans who couldn’t fathom that a record that was meant to sell for $25 wasn’t available in their local store and was appearing on the secondary market for between $35 and $50.

They asked us to remedy the situation and we did. We’re pleased to announce the second edition of the album, which is now in production and will be released sometime in late February.

The second edition has a different color scheme on the cover (seen in the photos above), and a standard LP sleeve rather than the old-school thick cardboard “tip-on” sleeve of the first edition. The second edition is labeled “second edition” in the label and copyright line on the back.

All else remains the same: same quality of wax, same booklet, same funk. But we wanted to make sure the folks who bought the first edition had something special and there would be no confusion between the two issues.

The history of this album:

In 1970 James Brown perfectly captured a definitive moment in modern music when he called Bootsy Collins into the studio to record the tracks that would be These Are The J.B.’s, a title given to a King Records test-press LP that was never released, and only rumored to exist.

This album is the epitome of funk music, Brown’s innovation that influenced everything that came after it, from Afro-beat to disco to hip-hop.

If there is any funk ensemble as influential as Brown’s in the post-“Cold Sweat” musical landscape, it’s the Bootsy Collins/Parliament/Funkadelic contingent. Those two streams, as Grammy-winning James Brown historian Alan Leeds details in this album’s liner notes, converged for the first time here.

This is the first commercial issue of this album, overseen by Now-Again’s Eothen “Egon” Alapatt alongside Leeds and Universal Music Group’s James Brown expert Harry Weinger. It was mastered specifically for vinyl by Elysian Master’s Dave Cooley, from the original two-track stereo master that James Brown and his engineer Ron Lenhoff delivered to production forty-four years ago. The album includes a booklet with liner notes by Leeds and Alapatt and unpublished photographs.

Photos: The JB’s in 1970; The JB’s perform with James Brown in 1971; Bobby Byrd and Bootsy Collins c. 1970; These Are The JB’s test-press credit sheet.


Video: The JB’s (with Bootsy and Phelps Collins) backing James Brown and Bobby Byrd in Rome on April 24, 1971.

Ghostface and DOOM reunite for “Ray Gun” by BADBADNOTGOOD

BBNG, MF DOOM — January 9, 2015 | Comments (11)

Freddie Gibbs at Boiler Room

Freddie Gibbs — January 6, 2015 | Comments (5)

Now-Again 7″ Sure Shots

Now-Again — December 11, 2014 | Comments (1)

ON SALE: NOW-AGAIN 7″ SURE SHOTS

Four 7-inch singles by Now-Again. 500 copies of each 45 produced: not to be repressed. Download card for entire series included with each 45.

Deep American Funk and Soul…
Richard Marks “I’m The Man For You” b/w Buddy Cantrell “You Ain’t No Good” (NA 7027)
Two of America’s most sought after deep funk/soul sides available. Originally issued on the tiny Atlanta imprint Tuska at the turn of 1970, both of these singles will appear on our forthcoming Richard Marks anthology Never Satisfied.

Zimbabwean Fuzz Funk…
Stars of Liberty “Power To The People” b/w Eye Q “I Am Selfish” (NA 7028)
Tracks from the 1970s Zimbabwean black rock scene. Stars of Liberty and Eye Q are two of the most fiery ensembles to release fuzzy singles in funky protest of Ian Smith’s oppressive Rhodesian regime.

Zambian Proto-Punk…
Chissy Zebby Tembo “I’m Not Made Of Iron” b/w “Fisherman” (NA 7034)
Proto-punk Zamrock tracks from the drummer behind Paul Ngozi’s Ngozi Family Band whose work is focus of ongoing investigation and reissue on Now-Again. “Fisherman” was originally issued on Zebby Tembo’s My Ancestors album. “I’m Not Made Of Iron,” from his untitled third LP, has never been released in any form.

Rare Disco…
Split Decision Band “Watching Out (45 Ver.) b/w “Watching Out (Alt.)” (NA 7035)
One of the best independent disco songs ever released, out of the unlikely locale of Des Moines IA in the late 1970s. A reissue of the original 45 version of this song is paired here with an unreleased version, taken from an album that the band recorded but never released. Now-Again will reissue the full-length in full in 2015.


Blue Note: Uncompromising Expression

Some years ago, Madlib was offered the opportunity to dig into the master tapes of the legendary Blue Note Records, remix whatever he liked, and have them release the record. For a producer raised on the label, the offer couldn’t have been any better. The result was the album Shades of Blue, which was recently reissued on vinyl as a part of a year-long celebration of Blue Note’s 75th year in business.

Rounding out the birthday party is this substantial release, Blue Note: Uncompromising Expression, a heavy coffee table book documenting the 75 years of albums, credits, photos, cover art and production details.

One irony of the digital music is the continuing interest in record labels, vinyl album covers, and what seems like a flood of books about LP cover artwork. But if there’s one label who truly deserves it, whose work can fill nearly 400 pages, it’s Blue Note Records. They not only defined jazz in the 20th century, but defined several eras of jazz. Just as important to those of us who love the labels as much as the music, was their unique ability to combine the music and the recordings with photography and design in a way that presented Blue Note as an entire culture unto itself. Even their look defines jazz. Other labels did this to some extent, but never as long and with as much consistency as Blue Note. Many others tried and never came close. It’s now something of a lost art, but some still try.

It’s an honor to see Madlib’s Shades of Blue rounding out the last section of the book, and the album still sounds good today. The cover photo was shot by B+ (Brian Cross) and a couple pages of his proof sheets are also published in the book. I, Jeff Jank, designed the record, in the classic “Blue Note style.” Someone at Blue Note told me I was the only person in the history of label to design and perform on one of the records. The performance part is a stretch, since I played two notes on a broken-down standup bass which Madlib later re-processed, but I’ll accept the credit.

Blue Note: Uncompromising Expression was written by Richard Havers, published by Chronicle Books. 399 pages, 4 lbs.

Oh No – Rhythm Roulette

Oh No — December 9, 2014 | Comments (1)

Mass Appeal’s Rhythm Roulette series puts producers on the spot and has them make a beat in front of the camera. Oh No goes for three video games, playing and makes a beat out of the sounds he recorded during gameplay.

J Dilla Figure – EDITION QUANTITIES

Rappcats — December 5, 2014 | Comments (0)

First, thanks to everyone who bought a J Dilla Figure. Second, we at Rappcats want to clarify an important point about the edition quantities of this limited edition item.

We were very lucky to be offered the exclusive pre-sale of this Figure, and we published the first edition size: 2,000 units of the Figure, the amount that has been manufactured.

This is not, however, the entire edition size. The actual edition size of the Stussy version of the Figure is 5,000 units. There will be NO MORE THAN 5,000 UNITS MADE.

To reiterate: the first edition of the Figure is 2,000 units. The second edition of the Figure is 3,000 units – these 3,000 units will carry the words “Second Edition” on the bottom of the box.

We have no way of guaranteeing which edition of the Figure that you will get if you have ordered from us. All we can guarantee is that you will actually get the Figure. The first edition is now sold out, and orders for the Figure will be shipped on a first come first serve basis. That means that those that ordered earliest will have the best chance of getting the first edition.

All orders placed after this message will receive the Second Edition of the Figure. All stores who, upon release date, carry this Figure will be carrying the Second Edition.

We will issue prompt refunds to anyone who wants one – please email INAMEL@RAPPCATS.COM and allow 1 to 2 business days for a response and refund as we have been inundated with emails since this Figure went on sale.

Thank you for your support.