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The Mark III – Marvin Whoremonger

Now-Again — May 4, 2016 | Comments (6)

15-17 year old Las Vegas high school kids doing X-rated basement funk. This rare private press from 1976 is being reissued for the first time by Now-Again Records this fall as a part of Now-Again Reserve: a deluxe vinyl subscription.

SUBSCRIBE: NOW-AGAIN RESERVE

Here’s the story of one of funk’s most sought-after albums: Marvin Whoremonger is a concept-piece executed by a Vegas hustler, pairing the troubled musings of a transient vocalist (Marvin Neroes) with the exuberant funk of a teenage trio. Much of the album was recorded in a single take, then embellished by session musicians in Hollywood with synthesizers and a large horn section.

Producer Cholly Willians declared in the liner notes that the album would lead to international stardom for all involved. When Whoremonger was released in 1976, behind a garish, anonymous jacket, it failed immediately. Forty years later it has aged well, and stands as an immediately accessible – yet bizarre – exercise in late-period, real funk music.

Marvin Whoremonger is the third release of Now-Again Reserve.

Photos: Madlib at the Shrine, Los Angeles

Madlib — May 3, 2016 | Comments (0)

Just a couple photos of Madlib at Shrine Expo Hall with Four Tet, Ben UFO, Daphni, Floating Points. Photos by Daily Laurel. (Also see the remix.)


Mixtape: Egon on NTS Radio, May 3, 2016.

Egon is hosting a one month residency on NTS Radio – four (maybe five?) two hour shows of music from around the globe. Here’s an hour of the first show.

3:33 Rob Thomsett Entrance to Warrambool (Part I and II)
4:04 The Cyrkle Nicole
8:59 Eric Burdon Winds Of Change / Poem By The Sea
5:01 Mighty Ryeders Help Us Spead the Message
3:56 Ray Alexander Technique Special One
2:11 Dusko Goykovich Macedonian Fertility Dance
4:42 Dusko Goykovich Balkan Blue Modal Jazz
7:04 Sons & Daughters Of Lite A Real Thing
5:18 Southern University Jazz Ensemble Clean Air
2:52 Jose Pirates Imbarobo
3:26 Baden Powell Sarava
2:44 Orlann Divo Beleza No Vai Embora
4:03 Peter Lemer and Asilah 80 Invocation
8:38 Lightmen Plus One On The Road Home (Mono version)
3:09 Annexus Quam
3:18 Trubrot Eg Veit Ao Pukemur
2:25 Joao Bosco Quem Sera
2:11 Waltel Branco Tema De Abertura
2:48 Groep 1850 Friday I’m Free / Hunger
3:03 Illes Zenekar Mejez Az Ut
2:41 Träd Gräs Och Stenar Sanningens Silverflod
5:38 Steve Reid Lions of Judah
3:08 izvir Vibrolux
7:27 NO INFO
3:44 Erasmo Carlos E Presciso Dar Um Jeito Meu Amigo
3:31 Round Trip Ticket Captain Purple Rides Again (Down By The River)
4:02 Girma Beyene Ene Negne By Manesh
4:58 Totem
3:28 Manu Dibango Liberations Song
3:34 Odmenn It Takes Love

Video: J Dilla feat. Nas “The Sickness” (Produced by Madlib)

J Dilla — April 27, 2016 | Comments (13)

J Dilla’s “The Sickness,” produced by Madlib, a recording made in 2001 for Dilla’s The Diary, and completed in 2015 with a verse by Nas. This is a bonus track the iTunes release of the album.

Wake Up You – Vol. 2 – The Rise and Fall of Nigerian Rock, 1972-1977

ON SALE: WAKE UP YOU – VOL. 2 – THE RISE AND FALL OF NIGERIAN ROCK, 1972-1977

Wake Up You! is presented in two 100+ page books full of never-seen photos and the story of the best Nigerian rock bands told in vivid detail by musicologist and researcher Uchenna Ikonne (Who Is William Onyeabor?).

Each volume is presented as both a hardbound book with CD in a resealable plastic sleeve, and as a double LP with a soft-cover book included in a custom-made 12″x 12″ book holder.

Read: ‘Wake Up You!’ Explores The Transitional, Post-War Rock ‘N’ Roll Of Nigeria – NPR’s All Things Considered.

Video: Wake Up You! The Rise and Fall of Nigerian Rock, 1972-1977

A short film about Wake Up You! The Rise and Fall of Nigerian Rock, 1972-1977. Produced by Uchenna Ikonne and Eothen Alapatt with narration by Uchenna Ikonne. This video was shot and edited by Bennett Piscitelli. Wake Up You Vol. 1 is out now. Wake Up You Vol. 2 comes out May 20, 2016

“Bring yo weed, I got a story to tell…”

J Dilla — April 19, 2016 | Comments (0)

Available in DARK NAVY BLUE | WHITE | BLACK

“Bring yo weed, I got a story to tell” are lyrics from the title track of J Dilla’s The Diary. The shirts were design by Mason London, printed on Alstyle.

Freddie Gibbs & Madlib – Cocaine Parties in L.A. – 12 inch single

Freddie Gibbs, Madlib — March 30, 2016 | Comments (5)

ON SALE HERE: FREDDIE GIBBS & MADLIB – COCAINE PARTIES IN L.A.

Rappcats exclusive: 12-inch single, now shipping. “Cocaine Parties In L.A.” b/w “Cocaine Parties In L.A. (Instrumental)”

“Cocaine Parties In L.A.” is produced by Madlib with lyrics/vocals by Freddie Gibbs. All sleeves are screen-printed by hand, one-of-a-kind – 10 variations in all, but each slightly different. Illustration by Gustavo Eandi, design by Jeff Jank, screened by Hit N Run.

The Diary: Karriem Riggins Speaks on J Dilla

War-Head Constriction “Showers of Stone” – Nigerian rock from the 70s

Now-Again — March 18, 2016 | Comments (0)

Now-Again Records’ decade long investigation into Nigeria’s rock music scene during the 1970s culminates in Wake Up You: The Rise & Fall of Nigerian Rock. Vol. 1 comes out on Record Store Day.

Here’s a track from Wake Up You, Vol. 2, coming in May: War-Head Constriction’s “Shower of Stone”

Pitchfork.com – Record Store Day 2016’s Best and Weirdest Bets: “#1. Various Artists, Wake Up You V.1 : The Rise And Fall Of Nigerian Rock Music, 1972-1977. This 2xLP compilation of scene that catapulted Fela Kuti to global renown looks to be the type of carefully packaged set that will be well worth checking for at your local store. Nigerian-born writer Uchenna Ikonne, who helped make William Onyeabor’s 2013 album Who Is William Onyeabor? a reality, provides liner notes in a 104-page book that also includes previously unpublished photos.”

The Western world was in the throes of peace, love, and flower power as Nigeria descended into Civil War in 1967. The rock scene that developed during the following three years of bloodshed and destruction would come to heal the country, propagate the world-wide ideal of the Modern Nigerian, and propel Fela Kuti to stardom after conflict ended in 1970.

Wake Up You! tells the story of this time, pays homage to these now-forgotten musicians and their struggle, and brings to light the funk and psychedelic fury they created as they wrested free of the ravages of the late 1960s and created thrilling, original Nigerian rock music throughout the 1970s.

Wake Up You! is presented in two 100+ page books full of never-seen photos and the story of the best Nigerian rock bands told in vivid detail by musicologist and researcher Uchenna Ikonne.

Listen to Ify Jerry Krusade’s “Everybody Likes Something Good” (Wake Up You! Vol. 1)

African garage rock compilation by Christophe Lemaire and Now-Again Records

Now-Again — March 7, 2016 | Comments (2)

ON SALE: CAN’T YOU HEAR ME? AFRICAN NUGGETS AND GARAGE ROCK FROM NIGERIA, ZAMBIA & ZIMBABWE

Paris release party: April 2, 11PM at L’Entreé des Artistes, 30 Rue Victor Masse

Globetrotter of parallel subcontinents and digger of rare, forgotten records, Eothen “Egon” Alapatt tracks sounds from the dawn of time to the four corners of the world. On the other side of the globe, French designer Christophe Lemaire stays forward thinking and audacious in his choices: far from our deified present, he cultivates a love of timeless designs and mixed influences; a passion for iconoclastic music hidden in the dark corners of a global cultural industry.

This extraordinary openness has been at the heart of their friendship since 2007. Their exceedingly eclectic, fierce rock discoveries gave birth to a first anthology, Where Are You From? (Now-Again, 2010), the fruit of Lemaire’s excavating Alapatt’s archives. That was a post-geographic exploration in psych, rock and funk territories from 1968 to now; this second anthology celebrates their impressionist vision and explores garage rock from the 1970s, voicing the struggles of independence in Zambia, Nigeria and Zimbabwe.

Can’t You Hear Me comes from a track by charismatic Zamrock icon Paul Ngozi, a Lemaire favorite. Ngozi’s title track sets the tone for a drastic selection of seventeen songs with rebellious undertones, riddled by an infectious groove, the forsaken writing about a forgotten chapter in the history of music. Ngozi, WITCH, Chrissy Zebby Tembo, Amanaz, Wells Fargo, Eye Q and the Funkees represent a generation fighting for their freedom, armed with fuzz guitars, symbolic objects of a new movement. They played in Fela’s kingly shadow, were influenced by Hendrix’s psychedelic solos, Jefferson Airplane’s penetrating chords and Cream’s repetitive melodies. The music of their colonial oppressors they reassembled and reinterpreted with pure energy, without nod to hymn or flag.

A halo of cosmic design and pure lines, the cover for the anthology by Sanghon Kim transports us in this whirling odyssey in space and time while composer/producer Pilooski concludes the album with an edit of WITCH’s “No Time,” an expression of the critical need to open up to new perspectives, new imaginations and to keep unearthing riches of our universal heritage.

“Through these tracks we can feel the communicative energy, this pure vitality, not only of Africa , but of youth and hope,” Lemaire states. “And I find it quite universal and timeless. It is not about music as an industry , or as product , but music as a craft . And one can immediately recognized when music is created with heart and soul.”


World’s Experience Orchestra

Now-Again — February 25, 2016 | Comments (6)

Now-Again is reissuing the 1975 and 1980 albums by World’s Experience Orchestra this summer as one specially packaged 2/LP set, the second release in Now-Again Reserve, a deluxe vinyl subscription.

Subscription details here: Now-Again Reserve

The essence of Underground, Spiritual Jazz, figuratively and literally: their first album was recorded in a Boston church’s basement. Both World’s Experience Orchestra albums were committed to vinyl by a visionary, bassist/composer/arranger John Jamyll Jones. He’s a magical type, who communicates with his instrument, his ensembles, and jazz’s ancient lineage in a manner so profound that his late-‘70s album are out of time with jazz’s trajectory, but timeless when presented today.

RELEASE DETAILS

• Packaged in a hand-made, extra-thick “tip on” gate fold jacket, with obi strip and resealable polybag
• Download card for WAV files of the album
• Includes a 2 CD version of the album, packaged as a “mini-LP” inside a cardboard O-card encasing a perfect-bound booklet.
• Booklet with extensive liner notes detailing the history of the album
• Remastered by Elysian Masters head engineer Dave Cooley in Los Angeles, delicately lacquered by Electric  Mastering in London and perfectly pressed by Quality Record Productions in Salina, Kansas.
• Includes a hand done silk-screened album insert by Hit & Run.
• Produced with the direct participation of their creators.

Photos: bassist John Jones, drummer Chauncy Hutcherson

J Dilla – THE DIARY – Producer list and vinyl

EXCLUSIVE VINYL PRE-ORDER HERE: J DILLA – THE DIARY

We have vinyl for The Diary of J Dilla, coming April 16. The single LP set contains a 16-page booklet with introduction by Eothen Alapatt and liner notes by Ronnie Reese detailing the story of the album. Ronnie Reese previously wrote the liner notes for J Dilla’s Ruff Draft, a production which took place immediately following The Diary. The producers on the album are listed below.

Tracks 2, 6, 9, 13 are produced by J Dilla.

1. The Introduction, prod. by HOUSE SHOES with additional production by J Dilla
2. The Anthem feat. Frank & Dank
3. Fight Club feat. Nottz & Boogie, prod. by WAAJEED
4. The Shining Pt. 1 (Diamonds) feat. Kenny Wray, prod. by NOTTZ
5. The Shining Pt. 2 (Ice), prod. by MADLIB
6. Trucks
7. Gangsta Boogie feat. Snoop Dogg & Kokane, prod. by HI-TEK
8. Drive Me Wild, prod. by KARRIEM RIGGINS with live performance by Questlove, Lee Johnson, James Poyser, Pino Palidino
9. Give Them What They Want
10. The Creep (The O), prod. by HI-TEK
11. The Ex feat. Bilal, prod. by PETE ROCK
12. So Far, prod. by SUPA DAVE WEST
13. Fuck The Police
14. The Diary, prod. by BINK!

All tracks recorded September 2001 – April 2002 at The Spaceship, Clinton Township, MI and Studio A, Detroit.

J Dilla’s long lost 2002 vocal album THE DIARY to be released April 15

J Dilla — February 18, 2016 | Comments (10)

J Dilla – The Diary (album cover); J Dilla with Slum Village circa 2001, by Eric Coleman.

VINYL ON SALE HERE: J DILLA – THE DIARY

J Dilla vocal album featuring Snoop Dogg, Bilal, Kokane; production by Dilla, Madlib, Pete Rock, Hi-tek, Nottz, Waajeed, House Shoes, Supa Dave West, Bink! and Karriem Riggins.

The Estate of James Yancey has revived J Dilla’s longstanding company PayJay as a functioning imprint to release Dilla’s long lost vocal album, The Diary on April 15th, in conjunction with Mass Appeal Records. Initially intended for release in 2002, The Diary is the final batch of unissued material that Dilla had assembled for release during his lifetime, lending crucial insight into the producer’s prowess and thought process in the period leading up to his break with the major label system and the extremely fertile period that followed (which encompassed the making of the canonical classics Ruff Draft, Jaylib, and Donuts). The Diary features vocal performances by J Dilla, Snoop Dogg, Bilal, Kokane, Frank and Dank, Nottz and Boogie, over production by Dilla, Madlib, Pete Rock, Hi-tek, Nottz, House Shoes, Supa Dave West, Bink! and Karriem Riggins. The album was announced today in an interview with Nas on Zane Lowe’s show on Beats1 with the never-before-heard song “The Introduction.”

The Diary was Dilla’s attempt to take advantage of the attention afforded him after his brightest period as a behind-the-scenes hit-maker and influencer. However, the project stalled and the album was literally shelved, the reels languishing in storage in Detroit as a relocated Dilla began a creative renaissance in Los Angeles. The Diary in this, its final form, was painstakingly assembled over a ten year period from two-track mixdowns and multi-track masters found in J Dilla’s archives after his death in 2006. The completion of The Diary was overseen by The Estate of James Yancey’s Creative Director Eothen Alapatt, long term general manager of Stones Throw Records and A&R for Donuts and Jaylib, whose previous archival Dilla work includes the expanded Ruff Draft issue from 2008. The Estate of James Yancey is overseen by California’s Probate Court on behalf of Yancey’s four heirs – his mother, Maureen “Madukes” Yancey, his brother John “Illa J” Yancey and his two daughters, Ja’Mya Yancey and Ty-monae Whitlow.

The musical landscape has shifted mightily in the wake of J Dilla’s final album. Donuts’ release and Dilla’s subsequent death forced a critical and fan-level reexamination of his work and importance on the global stage. J Dilla was marginalized in the years leading up to his death, as he, battling the rare blood disorder that would eventually take his life, eschewed the major label-led music industry where he created or aided some of the music industry’s brightest – D’angelo, Erykah Badu, Common – in the late 90s and early 00s, moved to California from his native Detroit and dug deep into the deepest recesses of his creative spirit to offer a new take on hip hop’s decades old art form of sampling. After Donuts, the likes of Kanye West and Pharrel Williams could be heard echoing words read on a fan’s shirt from one of J Dilla’s last European tours in 2005: J Dilla Changed My Life. They were not the only ones: Justin Timberlake opines openly that the world needs more Dilla. J Dilla became a critical signpost for these stars, and others: the archetype figure that birthed everything they loved and cared for in hip-hop.

READ INTERVIEW WITH J DILLA ESTATE CREATIVE DIRECTOR EOTHEN ALAPATT HERE via Rollingstone.com

J Dilla figure – DONUTS VERSION

J Dilla — February 11, 2016 | Comments (19)

SOLD OUT: J DILLA FIGURE, DONUTS VERSION

April 2016 release. The J Dilla Figure is an official Pay Jay Productions release, produced under the oversight of the Estate of James Yancey.

The Figure was conceived and rendered by Detroit artist Sintex, designed and sculpted by Seoul-based toy artist P2PL. It was manufactured by Blitzway on behalf of Pay Jay.

The Figure is 7.5″ tall. The Figure’s hat, sampler and chain are removable and the Figure’s arms articulate. New to this version is the addition of a removable handmade shirt that replicates the shirt worn on the “Donuts” album jacket. The Figure comes in a custom designed box, wrapped in paper to best attempt to protect the box from rubbing in shipping. The Figure comes in a clamshell case inside the box. Please note that the box is for the protection of the Figure during transportation and is not replaceable if damaged.

Pay Jay Productions was founded by J Dilla (James Yancey). The Estate of James Yancey is administered by attorney Alex Borden and overseen by the Probate Court of the State of California on behalf of Yancey’s four heirs – his mother, Maureen “Madukes” Yancey, his brother John “Illa J” Yancey and his two daughters, Ja’Mya Yancey and Ty-monae Whitlow.

Heliocentrics – FROM THE DEEP

Heliocentrics — February 1, 2016 | Comments (0)

ON SALE: HELIOCENTRICS – FROM THE DEEP

Following Last Transmission, their collaboration with Melvin Van Peebles, the Heliocentrics finish off their trawl through the vaults of tracks recorded at their old digs – Quatermass Studios – with psychedelic tinged funk and jazz instrumentals first heard on Gaslamp Killer’s HELIO X GLK EP, tracks Rolling Stone describes as “sprawling, with percussive patterns that suddenly morph into extraterrestrial sound blasts and opaque, detouring patterns.”

Wake Up You: The Rise & Fall of Nigerian Rock

Now-Again — January 18, 2016 | Comments (4)

ON SALE NOW: WAKE UP YOU, VOL. 1
ON SALE NOW: WAKE UP YOU, VOL. 2

Rock in the wake of war: Now-Again Records’ decade long investigation into Nigeria’s rock music scene during the 1970s culminates in the release of two album and books.

The Western world was in the throes of peace, love, and flower power as Nigeria descended into Civil War in 1967. The rock scene that developed during the following three years of bloodshed and destruction would come to heal the country, propagate the world-wide ideal of the Modern Nigerian, and propel Fela Kuti to stardom after conflict ended in 1970.

Wake Up You! tells the story of this time, pays homage to these now-forgotten musicians and their struggle, and brings to light the funk and psychedelic fury they created as they wrested free of the ravages of the late 1960s and created thrilling, original Nigerian rock music throughout the 1970s.

Wake Up You! is presented in two 100+ page books full of never-seen photos and the story of the best Nigerian rock bands told in vivid detail by musicologist and researcher Uchenna Ikonne (Who Is William Onyeabor?).

Each volume is presented as both a hardbound book with CD in a resealable plastic sleeve, and as a double LP with a soft-cover book included in a custom-made 12″x 12″ book holder.

Madlib Medicine Show: The Brick on VINYL

Madlib — January 13, 2016 | Comments (21)

AVAILABLE NOW: MADLIB MEDICINE SHOW: THE BRICK ON VINYL

Madlib Medicine Show is a series of album and mixtape releases by Madlib. This is the first time the Madlib Medicine Show “Brick” box set has been released on vinyl. The Brick contains seven albums with thirteen LPs, all of the originally-produced material by Madlib in the series:

In the collection:

1. Madlib Medicine Show #1: Before the Verdict. 2/LP Hip-hop Album feat. Guilty Simpson. Full-length, 17-tracks, combining new material and remixes.
2. Madlib Medicine Show #3: Beat Konducta in Africa. 2/LP Hip-hop Album. Inspired by and based on African records of the early 1970s — obscure & independent vinyl gems from afro-beat, funk, psych-rock, garage-rock & soul movements from Africa.
3. Madlib Medicine Show #5: History of the Loop Digga, 1990-2000. 2/LP Hip-Hop Album. Madlib’s early years, 1990-2000, from beat cassettes produced for local rap crew Crate Digga’s Palace.
4. Madlib Medicine Show #7: High Jazz. 2/LP Jazz Album. All new Madlib productions from his collective of jazz groups and musicians known as Yesterdays Universe.
5. Madlib Medicine Show #9: Channel 85 Presents Nittyville. 2/LP Hip-Hop Album feat. Frank Nitt. Loosely-based concept album around an obscure TV show, Nittyville, running on Channel 85. Full-length, 14 tracks.
6. Madlib Medicine Show #11: Low Budget High Fi. 2/LP Hip-Hop Album. Dirty Demos produced by Madlib, with The Professionals (Madlib+Oh No), MED, Strong Arm Steady, AG, Guilty Simpson, J. Rocc, Supreme Team (Madlib+Karriem Riggins), and Jaylib.
7. Madlib Medicine Show #12 & 13: Filthy Ass Remixes. 1/LP Hip-Hop Remixes. Part mixtape, part beat tape, featuring a host of un-suspecting collaborators that run the gamut from thugs, street poets, star emcees and underdogs. These are select tracks from Vol. 12 and 13 of the Medicine Show CD edition.

ALSO SEE THE CD EDITION

No more parties in L.A.

Madlib — January 8, 2016 | Comments (26)

“No More Parties in LA featuring Kendrick Lamar intro produced by me/track by Madlib” Kanye West

Images from Russell Houghten’s Urban Isolation

Quasimoto Classic

Quasimoto — December 20, 2015 | Comments (3)

ON SALE: QUASIMOTO CLASSIC (BLACK) | QUASIMOTO CLASSIC (WHITE)

It’s Madlib’s original Unseen-era “bad character” drawing of Quasimoto, drawn by Jeff Jank. The character measures 7″ wide, 17″ high, printed on Alstyle tees.

A brief history of Lord Quas:

Madlib has told the story in interviews of how he created Quasimoto, aided by some chemicals, as someone to rap on his beats for his own private listening while living in Oxnard CA in the 1990s. These private recordings eventually became The Unseen (2000, Stones Throw).

The visual character of Quasimoto developed separately. It was first drawn by DJ Design (credited as Keith Beats) for Quasimoto’s “Microphone Mathematics” single, representing the three members of Madlib’s group Lootpack. The character was adapted by Jeff Jank for the inner artwork of The Unseen to represent the lyrics for the song “Bad Character,” looking up skirts, passing out poison apples, carrying a brick.

It was the fans of this album that started to identify the character as Quasimoto himself. By the second album, The Further Adventures of Lord Quas, it was accepted that the character is Quasimoto, and Madlib even referred to carrying a brick in one of the lyrics.

Jeff Jank says in an interview, “Quasimoto was always Madlib’s creation, but I love the way the visual side has developed. In the years since, Quasimoto has been a toy, a bad tattoo, an internet meme… I keep drawing him, even if Madlib isn’t rapping him anymore.”

Karl Hector & The Malcouns – Can’t Stand the Pressure 4LP Box Set

Now-Again — November 30, 2015 | Comments (3)

BOX SET: KARL HECTOR & THE MALCOUNS – CANT STAND THE PRESSURE
EP: KARL HECTOR & THE MALCOUNS – KA RICA TAR

Following their deft handling of musics from Eastern and Northern Africa alongside Western psychedelia, jazz and funk on the Now-Again album Unstraight Ahead, Karl Hector & The Malcouns combine the previously available only on vinyl tracks from four EP’s – Tamanrasset, Ngugna Yeti Fofa, Coomassi and their latest, Ka Rica Tar — into an album as Krautrock as Afro Beat, as Multi-Culti-Psychedelic as Deep Funk.

Can’t Stand The Pressure is available as a CD that contains the entirety of Ka Rica Tar, and all of the other EP tracks that haven’t come out on CD. And if you missed those limited edition EP’s, don’t trip: Now-Again is issuing a made-to-order set that will contain all four EP’s in their entirety, packaged in a hand silk-screened, chipboard sleeve.

Ka Rica Tar and the Can’t Stand The Pressure CD ship immediately.
Can’t Stand The Pressure 4LP set will be tallied in a month and put into production. Expect your set to ship early March 2016. Anyone who orders the box set will receive a download link for all 4 EP’s shortly after placing their order. We know you don’t want to wait for your funk.

Freddie Gibbs & Madlib’s Piñata (Alex Goose Remix LP)

Rappcats — November 9, 2015 | Comments (3)

ON SALE: FREDDIE GIBBS & MADLIB – PINATA (ALEX GOOSE REMIX LP)

Rappcats Exclusive: Limited edition, hand made LP of Alex Goose’s remixes of Freddie Gibbs and Madlib’s Piñata

We wanted to make Madlib and Freddie Gibbs’ Piñata available for everyone that asked to use it in TV shows. So we asked the homey Alex Goose to run through the Now-Again catalog and remix it with samples from within. A year later and you probably heard some of the tunes as you were scanning the tube, maybe Alex’s “Shame” remix in Lebron James’ “Survivor’s Remorse.”

Alex made a custom run of a few hundred hand made LP’s for Madlib Invazion, and we’re selling ’em here. He only made one, short run of these – and they took forever to make, so they won’t be repressed. When they’re gone, they’re gone. Hand stamped Stoughton “tip—on” LP sleeve sealed with a sticker, clear vinyl, includes Erin Garcia print and download card for vocal and instrumental album.

MED BLU MADLIB feat. ANDERSON.PAAK – The Strip

Madlib — October 30, 2015 | Comments (1)

Anderson.Paak joins MED & Blu over a Madlib production, from the album Bad Neighbor — grab the vinyl.

Background: A couple years ago Blu got a few Madlib instrumentals and put together a few demos. The rough collection became the foundation of what would become Bad Neighbor. MED, a longtime collaborator of Madlib, put the pieces together, bringing together an impressive group of MCs and vocalists to complete the album.

Video: 4th Coming’s Strange Things

Now-Again — October 20, 2015 | Comments (1)

ON SALE: 4TH COMING – STRANGE THINGS: COMPLETE WORKS 1970-74

A short film about Strange Things, the lost album by the Los Angeles band, 4th Coming. This was shot and edited by Bennett Piscitelli. The album is being released by Now-Again as 4th Coming — Strange Things: The Complete Works 1970-1974, Eccentric soul and lost funk recordings from an unlikely crew of Los Angeles musical misfits – one of the finest and deepest examples of Los Angeles soul in the 1970s.