HOE CAKES (Art Print) Jason Jägel x MF DOOM

MF DOOM — November 28, 2014 | Comments (5)

SOLD OUT | HOE CAKES (ART PRINT) JASON JAGEL X MF DOOM

10th anniversary of MF DOOM’s MM FOOD album and Hoe Cakes single. 14.75″ x 12.75″ Print on cotton rag, numbered and signed in an edition of 180.

The year was 2004. DOOM & Madlib’s Madvillainy had just been released and the album was enjoying a glow of critical success. Scores of new people were discovering, debating, and being dumbfounded by DOOM’s brilliant wordplay, and his long time underground fan base were all making their voices heard, and there were more of them than perhaps even DOOM knew about. These people – those among us who knew DOOM from the days of KMD and Operation Doomsday – they had already been living on bootleg copies of Madvillainy for a year, and wanted his new solo album, MM FOOD, which he’d been publicly hinting at for years.

I became the art director on MM FOOD when DOOM called me up one afternoon with a problem. He had an album cover that the label (Rhymesayers) didn’t want, and a second one that he didn’t want, and no money to spend on a third album cover, because all the budget had been spent on the first two. After agreeing to work for no more than a few bucks and a “good lookin’ out,” I called Jason Jagel, a painter in San Francisco. Even before I was through asking Jason if he’d split ten bucks with me to work on the FOOD album, I had the feeling he was already sketching out ideas.

Jason knocked out the MM FOOD painting in a matter of a couple sleepless days, and then we were asked for a back cover, and then a sleeve for the 12-inch single, Hoe Cakes b/w Potholders. This one, which we see here, is my favorite because it’s deceptively simple, full of the same in-jokes and hidden references that characterize the music – the Adidas stripes on the “shoe fly pie,” the box of bling cherries, the superhero comic reference of the city in a bottle. Next too Doom is Count Bass D, who is featured on “Potholders.”

– Jeff Jank

Watch teenage MF DOOM speak on behalf of Rock the Vote in the Senate, 1991

MF DOOM — November 4, 2014 | Comments (14)

In the 1980s and early 1990s, facing a wave of music censorship that included Parental Advisory stickers on records to the arrest of rap performers in Florida, political operative Steve Barr and Virgin Records exec Jeff Ayeroff launched Rock The Vote.

The idea behind Rock the Vote was simple: get young people to vote for politicians who wouldn’t censor music.

The organized movement behind Rock the Vote focused on the “Motor Voter” bill, which would allow people to register to vote at the DMV when they got a driver’s license, and to register by mail. In short, they wanted to encourage young people to engage in the voting process by making registration easy and welcoming.

After a successful petition drive in 1992 (with help from REM), the Motor Voter bill passed Congress, only to be vetoed by president George H.W. Bush. Bush’s opponent in that election year, Bill Clinton, took up the cause of the Motor Voter bill, and signed it into law when he became president as the National Voter Registration Act of 1993.

Here is video from committee hearing for the National Noter Registration Act in congress, April 17, 1991, showing 19-year old MF DOOM (Zev Love X) with his partner Onyx from the group KMD. They’re sitting with Rock the Vote co-founder Steve Barr, speaking to Sen. Wendell Ford of Kentucky.

Video: http://www.c-span.org/video/?c4513596/kmd-rock-vote

Freddie Gibbs & Madlib – KNICKS REMIX EP – with Bronson, Bada$$ & Ransom

Freddie Gibbs, Madlib — October 20, 2014 | Comments (3)

ON SALE: FREDDIE GIBBS & MADLIB – KNICKS REMIX EP

Vinyl & Digital on sale now.

Following up Freddie Gibbs & Madlib’s Pinata – this EP contains exclusive tracks not available on the album. “Knicks,” in remixed form, now features a new verse by Gibbs alongside Action Bronson, Joey Bada$$ and Ransom. The b-side, “Home,” features BJ The Chicago Kid – the velvet voiced vocalist from the duo’s earlier “Shame” – and Madlib’s two-part soul-flip carries Gibb’s narrative about a traveling man’s disregard for his woman at home. Both sides are completed by previously unheard Madlib instrumentals.

Look for another Pinata Alert in LA & NYC when we have vinyl.

TRACK LIST
A1. Knicks Remix feat. Action Bronson, Joey Bada$$, Ransom
A2. Knicks Remix (Instrumental)
A3. The Dunk (Bonus Beat)
B1. Home ft. BJ The Chicago Kid
B2. Home (Instrumental)
B3. The Garden (Bonus Beat)

TOUR DATES
Oct 24 – Freddie in Montreal at Cabaret Underworld
Oct 25 – Freddie in Ottawa at Ritual Nightclub
Oct 26 – Freddie in Toronto at The Hoxton
Oct 28 – Freddie in Philadelphia at Underground Arts
Oct 29 – Freddie in Cambridge at Middle East
Nov 3 – Freddie in Brooklyn at Rough Trade
Nov 8 – Freddie in Los Angeles at that Odd Future shindig. No one over 21 allowed.
Nov 9 – Freddie Gibbs & Madlib at Fun Fest in Austin

Freddie photo by Peter Beste, group photo by Lord Such.

Madlib Doom 2014

Madlib, MF DOOM — October 8, 2014 | Comments (16)

Probably the first time these two have been photographed together in a while. Madlib is on the cover of the latest issue of Bonafide. Doom showed up while he did the interview. Photos: Jimmy Mould for Bonafide.

HELIOCENTRICS & MELVIN VAN PEEBLES – The Last Transmission

ON SALE NOW: HELIOCENTRICS & MELVIN VAN PEEBLES – THE LAST TRANSMISSION

Single LP / Deluxe 2LP / Double CD – Melvin Van Peebles with Heliocentrics, “psychedelically broken jazz soul funk” group from London.

Melvin Van Peebles, the filmmaker, musician, author behind the landmark movie Sweet Sweetback’s Baadasssss Song and the trilogy of Brer Soul albums he released in the 70s has teamed with the UK ensemble Heliocentrics to create an interplanetary space/love odyssey told in twelve chapters. The Last Transmission comes nearly ten years after Van Peebles’ appearance as the third member of Quasimoto on Stones Throw Records’ 2005 release The Further Adventure of Lord Quas. For the Heliocentrics, The Last Transmission represents their third Now-Again album, following Out There in 2007 and 13 Degrees of Reality in 2013.

Van Peebles makes for the Heliocentrics’ ideal foil: he did graduate work in astronomy in Holland in the 1950s and maintains an avid interest in cosmology. The Heliocentrics, as their name conveys, draw inspiration from both the philosophic leanings of the likes of Stephen Hawkings and interstellar mysteries, like those surrounding the Malian Dogon tribe’s knowledge of the Sirius B star hundreds of years before it was discovered. Their music is as indebted to Sun Ra’s interstellar jazz as it is inspired by psychedelia’s spiritual expanse.

The Last Transmission, presented as a vocal album and an expanded instrumental selection on a bonus disc, can be taken as both the band’s interpretation of Van Peebles’ poem and a musical voyage inspired by Van Peebles’ vivid imagery. The band considers it their defining work, the result of more than a decade of playing and recording together. They’ve found a voice as a band, one that meshes with Van Peebles,’ as he weaves an intergalactic “Rime of the Ancient Mariner.”

Van Peebles photos by Eric Coleman, Helicentrics’ Malcolm Catto photo by Egon.

THESE ARE THE JB’S – Previously unheard album by James Brown’s backing band led by Bootsy Collins.

Now-Again — September 9, 2014 | Comments (11)

IN THE SHOP: THE J.B.’s – THESE ARE THE J.B.’s (second edition)
IN THE SHOP: THE J.B.’s – THESE ARE THE J.B.’s SOLD OUT

Previously unreleased and unheard 1970 album by James Brown’s backing band the JB’s, led by Bootsy Collins. Release date: “Black Friday,” November 28, 2014. 
First edition: 3000 pieces, vinyl only. SOLD OUT.

LP with booklet, full annotation, liner notes by James Brown historian Alan Leeds, and never-before-published photos.

In 1970 James Brown perfectly captured a definitive moment in modern music when he called Bootsy Collins into the studio to record the tracks that would be These Are The J.B.’s, a title given to a King Records test-press LP that was never released, and only rumored to exist.

This album is the epitome of funk music, Brown’s innovation that influenced everything that came after it, from Afro-beat to disco to hip-hop.

If there is any funk ensemble as influential as Brown’s in the post-“Cold Sweat” musical landscape, it’s the Bootsy Collins/Parliament/Funkadelic contingent. Those two streams, as Grammy-winning James Brown historian Alan Leeds details in this album’s liner notes, converged for the first time here.

This link between Brown’s funk and all that followed features Bootsy and his young band running through twelve-minute instrumental take of Marva Whitney’s “It’s My Thing,” replete with blues chord changes, alongside interpretations of the Meters, Kool and the Gang and none other than Jimi Hendrix. This is a young band’s James Brown-turned-on-his-head style of funk that they nail in a one-minute vamp that embodies the essence of the psychedelic-flavored music that would propel them into the orbit of George Clinton’s mothership.

This is the first commercial issue of this album, overseen by Now-Again’s Eothen “Egon” Alapatt alongside Leeds and Universal Music Group’s James Brown expert Harry Weinger. It was mastered specifically for vinyl by Elysian Master’s Dave Cooley, from the original two-track stereo master that James Brown and his engineer Ron Lenhoff delivered to production forty-four years ago. It’s packaged in a thick, “tip-on” Stoughton jacket, with a booklet with liner notes by Leeds and Alapatt and unpublished photographs.

Also read: When Bootsy Collins Met James Brown by Bootsy Collins at RBMA

Photos: The JB’s in 1970; The JB’s perform with James Brown in 1971; Bobby Byrd and Bootsy Collins c. 1970; These Are The JB’s test-press credit sheet.


Video: The JB’s (with Bootsy and Phelps Collins) backing James Brown and Bobby Byrd in Rome on April 24, 1971.

Freddie Gibbs & Madlib – Harold’s (Video)

Freddie Gibbs — August 5, 2014 | Comments (6)

“Harold’s” directed by Gregory Buissereth, from Freddie Gibbs & Madlib – Piñata. August 30 through September, Freddie Gibbs tours Europe. Check the date: The Lord Frederick Tour

Ngozi Family – Day Of Judgement

ON SALE: PAUL NGOZI FAMILY – DAY OF JUDGEMENT

Zambian guitarist Paul Ngozi’s essential debut album, featuring Chrissy Zebby Tembo. His debut album – issued under the name Ngozi Family – is his masterwork: an important release not just in the Zamrock genre, but in the global rock canon.

Day of Judgement is an introduction to the most intense, raw and inimitable golden era Zamrock recorded, as it paved the way for a dozen Paul Ngozi and Ngozi Family releases (the most famous being drummer Chrissy Zebby Tembo’s My Ancestors) that straddled the line between funk and punk, of driving hard rock and Zambian folk melodies and rhythms.

Day of Judgement was released in 1976, the same year as other, now famous, Zamrock albums, from WITCH’s Lazy Bones!! to Rikki Ililonga’s Zambia to Musi-O-Tunya’s Give Love To Your Children, all reissued on Now-Again. But Day of Judgement sounds like none of its counterparts. Part of that stems from its frenzied primitivism, the Ngozi Family’s attempt to overcome a lack of musical acumen with sheer force of will.

That will allowed Paul Ngozi to overcome a humble upbringing to become the most unlikely combination: Zamrock’s most beloved star in its brief but now-well chronicled arc; the only musician to maintain his fame and recording prowess in the dark ages of the ’80s; an inspiration to not only aging but young Zambians — and now others, beyond Zambia’s borders.

But one cannot imagine Paul Ngozi without this album, a full-on aural assault that sounds as wild nearly forty years after its release as it must have sounded in the developing Zamrock landscape from which it emerged. We listen to this anachronistic yet prescient album now as a wholly original, completely unpredictable album in line with those from mavericks from across the world – from the Ramones to the Sex Pistols to Death. And, though it’s been over two decades since Paul Ngozi’s passing, his voice and vision still seem exciting, powerful, unique, unvarnished, new.

Freddie Gibbs: The Lord Fredrick Europe Tour, 2014

Freddie Gibbs — July 31, 2014 | Comments (0)

Freddie Gibbs Tour Dates – The Lord Fredrick Europe Tour 2014. Click dates for ticket links.

Aug 30: Glasgow @ O2 ABC2
Aug 31: London @ XOYO
Sep 1: Brighton @ Komedia
Sep 2: Birmingham @ Temple
Sep 3: Manchester @ Deaf Institute
Sep 4: Dublin @ The Twisted Pepper
Sep 5: Helsinki @ Tavastia
Sep 6: Vilnius, Lithuania @ Kablys
Sep 9: Malmö @ Babel
Sep 10: Oslo @ Sawol
Sep 11: Copenhagen @ Rust
Sep 12: Antwerp @ Trix
Sep 13: Cologne @ Essigfabrik
Sep 14: The Hague @ Paard
Sep 16: Heidelberg @ Karlstorbahnhof
Sep 17: Stuttgart @ CUE Club
Sep 18: Frankfurt @ Sky Club
Sep 19: St. Gallen @ Palace
Sep 20: Berlin @ YAAM
Sep 23: Lyon @ Transbordeur
Sep 24: Paris @ Nouveau Casino
Sep 25: Tourcoing @ Le Grand Mix
Sep 26: Marseille @ MarsAttak
Sep 27: Strasbourg @ Orosphere L’Artefact

Common pays tribute to J Dilla – “Rewind That”

J Dilla — July 29, 2014 | Comments (1)

Common’s “Rewind That” from his latest album Nobody’s Smiling tells a personal story of his relationships with No I.D. and J Dilla.

Verse 2:

This one’s for my man J Dilla
As I say these words, my eyes fill up
Cuz wasn’t non’ realer than James Dewitt Yancey
So I’mma dedicate this to Dilla and his family
In Q-Tip’s basement, I first met Jay Dee
I still remember the first beat he played me
He came to the Chi late three that was crazy
Didn’t even know me and gave ‘em to me for free
I got the the D, “peace yo, big love”
Cook up some hot shit, then go to the strip club
Then we made “The Light” and times got brighter
I said “turn it up” Jay’ll take it higher
One day, I noticed he was tired quick
That’s when I found out, Jay Dee was real sick
Things got worse before they got better
I said, “Come to L.A. for peace and good weather”
We got an apartment just so we could spark it
MP in the front room, records in the closet
The beats got iller, but the sickness was still there
I’m wishing I could will him out of his wheelchair
It was hard for me to come home every day
And see my homie Jay’s life fade away
I stayed away some times, in other words I ran
Til one day J brought me this TV stand
It was a gift so I couldn’t refuse it
It came from his heart, I regret I didn’t use it
The lupus got worse and, for what it’s worth
I wanted him to have a Grammy before he left this earth
Wishing we could have that time back
Oh we can, yo man, rewind that.

Egon – ROCK MIX

Egon — July 22, 2014 | Comments (6)

This is a mix of late 60s to mid 70s rock music from all over the world: America to Germany to Japan and everywhere in-between. It’s the type of rock Madlib used for the Rock Konducta records, and is a mixture of the incredibly rare and random dollar bin finds that makes crate digging in the rock idiom so much fun. A lot of this is underground – one example was literally recorded by Dusseldorf twenty-somethings in a bomb-shelter, a literally exorcising of Nazi demons through Krautrock – and some of it is from bands that had pop aspirations but recorded something heavy and probably a bit odd as the one-off awesome track on an otherwise forgettable album. Live mix using 2 CDJs, no edits, some mistakes, that’s the way it goes. Shout outs to Twink, Bunker Records, Franz Wippel, any band that spells April with a “y” instead of an “i,” state-run labels from former communist countries who had the nerve to get down with hard psych and Madlib, of course, for finding the funk in all of this.

July 22

Madlib on BONAFIDE

Madlib — July 16, 2014 | Comments (0)

On the heels of his Juxtapoz cover, Madlib (and Quasimoto) are on the cover of this month’s Bonafide Mag released in UK this month. Madlib cover interview by Kidkanevil, photo by Jimmy Mould, illustration by Jeff Jank.

Rock Konducta Pt. 1 and Rock Konducta Pt. 2 have both been released this week. The vinyl and digital are in two parts, and the CD edition as one double disc set.

Juxtapoz x Madlib

Madlib — July 7, 2014 | Comments (0)

Juxtapoz #163 (August 2014) features a Madlib cover story, with interview by Gabe Scott with Jason Jagel, Eothen Apapatt and Freddie Gibbs.The magazine cover is illustrated by Jason Jagel, featuring cameos from Lord Quas, DOOM, and world of anonymous jazz cats & rap cats. Photo by Estevan Oriol. Expect the magazine on U.S. newsstands in July.

Boiler Room Collections: EGON

Egon — June 27, 2014 | Comments (6)

Boiler Room set up shop in Egon’s office in Highland Park, Los Angeles, CA as he digs through his own collection, playing a few records.

This is currently streaming at BoilerRoom.tv and the archived video is embedded above.

Eothen “Egon” Alapatt runs Now-Again Records, he’s one of the Rappcats crew, and the former general manager at Stones Throw (2000-2010). Also check out Boiler Room’s editorial piece about the day the session was filmed: “We had the great pleasure of being let into the Now-Again Records office this month. Long before Collections was a concept, but very shortly after Egon impromptu opened for Madlib at our San Francisco show with heavy psych gems, we had the irrepressible urge to trawl through his records. Timing saw us pushing this one back quite a bit, so when the cohesive idea of Collections was introduced we eagerly re-approached the idea. We’ve of course picked up snippets here and there through the label itself as well as via his Funk Archaeology series, but nothing beat us seeing – strike that, hearing – for ourselves.”

Karl Hector and The Malcouns – Unstraight Ahead

Now-Again — June 17, 2014 | Comments (0)

ON SALE: KARL HECTOR & THE MALCOUNS – UNSTRAIGHT AHEAD Now-Again Records

Afrodelic Kraut Funk excursions featuring Members of Poets of Rhythm and Whitefield Brothers. Unstraight Ahead finds Karl Hector and his cohorts exploring territories outside of the already-expansive scope of their debut album Sahara Swing. On this album, the West African sounds of Ghana and Mali meet the East African sounds of Mulatu Astatke’s Ethiopian jazz and are tied together with the groove heavy experimentalism of The Malcouns’ 70s Krautrock godfathers: Can, of course, but also more obscure and equally adventurous groups like Agitation Free, Ibliss and Tomorrow’s Gift. It’s an album out of time, one that couldn’t have been made in the era its aural aesthetics reference, as its scope is so broad. But it’s an album focused by funk – and an ambition to expand funk’s reaches. The Malcouns – including Poets of Rhythm songwriter and vocalist Bo Baral – created their own instruments to fashion an album that stands alongside the great albums of its progenitors but charges Unstraight Ahead into a curious musical future.

2 LP comes with download card; CD packaged in a gatefold “eco-wallet.”

Madlib – Rock Konducta

Madlib — June 11, 2014 | Comments (11)

50+ track instrumental hip-hop album

LP, DIGITAL: ROCK KONDUCTA PT. 1
LP, DIGITAL: ROCK KONDUCTA PT. 2
CD: ROCK KONDUCTA PT. 1 & 2 DOUBLE CD

Madlib’s Rock Konducta – the blatantly titled, rock-inspired entries in the producer’s long-running Beat Konducta instrumental series – will be released July 15. It is the fifth installment in Madlib’s Beat Konducta series following Beat Konducta: Movie Scenes (2006), Beat Konducta in India (2007), A Tribute to J Dilla (2009) and Beat Konducta in Africa (2010).

Rock Konducta grabs its source material from various worldwide rock scenes from the 60s through the 80s, from American psychedelia to Germany’s Krautrock to acid-soaked Spanish prog to synthy, early-80s oddities.

Madlib announced his Rock Konducta album with a limited edition 45 made specifically for sale at the Zamrock Live! Madlib Medicine Show in San Francisco in early 2013. It was a fitting place to make the debut, as his previous Beat Konducta in Africa album was heavily inspired by Africa’s vibrant 70s rock scene, with a specific focus on Zambia’s Zamrock.

on iTunes: Madlib – Rock Konducta Pt. 1 | Madlib – Rock Konducta Pt. 2

Damon – Song of a Gypsy

Sixteen Things We Know About Damon is a short film by Andrew Gura: a voice and music driven story that uses animated archival stills, stock footage and typography, lo-fi textures, left-field sound design to tell the nearly impossible backstory behind Damon’s Song of a Gypsy

ON SALE: DAMON – SONG OF A GYPSY

Damon’s Song of a Gypsy, underground psychedelic rock from the late 60s – reissued album from Now-Again Records

Damon’s Song of a Gypsy is regarded as one of the finest privately-pressed psychedelic rock records ever made. It has, for over twenty years, been one of the most sought after late 60s rock artifacts in the world, with the scant original copies that exist exchanging hands for thousands of dollars. Bad bootlegs and scrappy reissues have spread the music a little but left Damon’s story untouched, leaving Song of a Gypsy high on its own plateau: out of reach and indescribable.

This edition investigates Song of a Gypsy’s seemingly impossible story – one that encapsulates the last bloom of the flower power movement before it decayed into the haze of the ‘70s underground. It traces the arch of a pop hopeful descending into chaos, becoming the tortured soul who would create an LP to file alongside works by other lost greats of the late ‘60s, from Shuggie Otis to Rodriguez.

Of course, juicy late ‘60s anecdotes abound: it was an acid trip that took Damon on a meandering journey to Big Sur’s Esalen Institute, where a chance meeting with Ravi Shankar and George Harrison turned everything around for him, as he nursed a five-string guitar back to spiritual health aside the maestros’ sitars under Big Sur’s endless sky.

This is an LA album – recorded in 1968 after Damon lead his musicians into a Hollywood studio to riff on Jefferson Airplane themes with a world-weary melancholy, to pay equal tribute to his idos Jim Morrison and Al Jolson with results that can only be described as sincere genius. Damon wrote with a childlike naiveté yet sang like a weathered old man, too exhausted to be anything but honest. There is no pretense to his Song of a Gypsy, just a transparent view into his churning soul.

The album Song Of A Gypsy was pressed in a run of five hundred copies. At some point, Damon’s master tapes disappeared. He only kept a 1⁄4” tape duped from a scratchy copy of the album.

Under the supervision of Now-Again’s Eothen “Egon” Alapatt and Damon, born David Del Conte, over the period of five years, Song of a Gypsy has been lovingly remastered and finally sees its definitive release, a beautiful listening experience, a reminder of the marvels man is capable of creating under even the most adverse circumstances.

Freddie Gibbs & Madlib – Deeper (video)

Freddie Gibbs, Madlib — June 3, 2014 | Comments (2)

New video from Freddie Gibbs & Madlib’s Piñata | Madlib releases Piñata Instrumentals

Freddie Gibbs & Madlib’s “Deeper” video, directed by Jonah Schwartz, forms a trilogy with the story begun with their two previous videos, “Thuggin’” and “Shame.” That is, a loose trilogy. Not as loose as the third Halloween movie when Michael Myers disappeared from the franchise, but there is definitely an untold piece of the story that lands Gangsta Gibbs in jail for a while. “Deeper” picks up from there.

Madlib has just released the instrumentals from the collaboration with Freddie Gibbs – Pinata Beats – out today from the Madlib Invazion label on double LP, CD, Digital.

Freddie Gibbs & Madlib – Pinata Beats – on iTunes

Meanwhile, Freddie Gibbs continues the Independent Grind tour, hitting Los Angeles this week the rest of the Southwest through June. If you missed him in Manhattan you can still catch him in Manhattan, Kansas.

03 June: Riverside Auditorium, Riverside CA
04 June: House of Blues, West Hollywood
05 June: House of Blues, San Diego
07 June: Marquee Theater, Tempe AZ
08 June: Rialto Theatre, Tucson
09 June: Hard Rock, Las Vegas
10 June: Great Saltair, Salt Lake City
11 June: Mesa Theatre, Grand Junction
12 June: Black Sheep, Colorado Springs
13 June: Aggie Theatre, Ft. Collins
15 June: Sunshine Theatre, Albuquerque
16 June: Tricky Falls, El Paso
17 June: Cactus Courtyard, Lubbock
18 June: Diamond Ballroom, Oklahoma City
19 June: Lucky Mule, Abilene TX
21 June: House of Blues, Houston
22 June: House of Blues, Dallas
24 June: Cain’s Ballroom, Tulsa
25 June: The Cotillion, Wichita
26 June: RC McGraw’s, Manhattan KS
27 June: Blue Note, Columbia MO
28 June: Arvest Bank Theatre, Kansas City MO

@Madlib | @FreddieGibbs

Dust & Grooves release party – LOS ANGELES

Los Angeles – Join us Thursday, June 5 at 7PM for an opening reception, an in-studio photo exhibit, and book launch party for Dust & Grooves at Sonos Studio. This event will feature rotating sets from DJs and collectors who are featured in the book (The Gaslamp Killer, Egon, Oliver Wang, Zach Cowie) as well as from book editor Sheila B. The Dust & Grooves book will be on sale at the event, and author Eilon Paz will host a book signing.

FREE EVENT – RSVP REQUIRED

The After-Party: Upstairs at Ace Hotel Downtown LA
Thursday June 5th, 11 PM | FREE
Ace Hotel Downtown LA, 921 S. Broadway, Los Angeles, CA 90015

June 7: Los Angeles Daytime Vinyl Hangout
Saturday June 7th, Noon-6PM | FREE
Sonos Studio, 145 N La Brea Ave, Los Angeles, CA 90036

Dust & Grooves and Sonos Studio welcomes all to the Daytime Vinyl Hangout—an all-day event with vinyl pop-up stores, DJ sets by local collectors, vinyl-lovers, and DJs, giveaways from Dewar’s and Now-Again Records, and an open whiskey bar. This event will include a book signing by author Eilon Paz, and his Dust & Grooves book will be available for sale for the whole afternoon.

ON SALE: DUST & GROOVES – ADVENTURES IN RECORD COLLECTING

Madlib – Pinata Beats (Freddie Gibbs Instrumentals)

Madlib — May 28, 2014 | Comments (8)

ON SALE: MADLIB & FREDDIE GIBBS – PINATA BEATS

Instrumentals for Freddie Gibbs & Madlib’s Piñata.

There are few musicians – let alone beat–makers – whose output in its raw form provides his listener with a full on musical experience before anything is added. Madlib is one. Before a microphone is switched on, before a rhyme even uttered, a Madlib beat stands alone as a complete thing.

The album with Freddie Gibbs, Piñata – being hailed as contender for rap album of the year – was created between late 2011 and early 2013. But Gibbs also dipped back into Madlib’s archives going back as far as ten years for a few of the beats.

Double LP; CD with 8-page booklet; digital download.