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Dr Footswitch – Everyday Has Got a New Dream – Welcome to Zamrock!

Zamrock — May 11, 2017 | Comments (0)

ON SALE: WELCOME TO ZAMROCK VOL. 1

Shipping now from Rappcats. Worldwide release date: June 9th.

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Welcome to Zamrock – How Zambia’s Liberation Led To a Rock Revolution, 1972-77

Now-Again, Zamrock — May 2, 2017 | Comments (2)

ON SALE: WELCOME TO ZAMROCK VOL. 1

Shipping now from Rappcats. Worldwide release date: June 9th.

Chrissy Zebby Tembo “Born Black”

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Function Underground: The Black and Brown American Rock Sound 1969-1974

Now-Again — April 24, 2017 | Comments (0)

ON SALE: FUNCTION UNDERGROUND – THE BLACK AND BROWN AMERICAN ROCK SOUND.

Now-Again’s anthology of the Black and Brown American Rock underground of the early 70s. (more…)

Now-Again Reserve: a deluxe vinyl subscription.

Now-Again — April 10, 2017 | Comments (8)

SUBSCRIBE HERE: NOW-AGAIN RESERVE, A DELUXE VINYL SUBSCRIPTION

Custom-made LP’s delivered once per quarter, presenting some of the rarest records in their respective genres in high quality LP format. Each release is produced with the direct participation of the artist. (more…)

Fabiano Do Nascimento – Tempo Dos Mestres – Now Again Records

Now-Again — January 27, 2017 | Comments (0)

ON SALE: FABIANO DO NASCIMENTO – TEMPO DOS MESTRES

Shipping immediately from Rappcats. Official street date February 17.
1LP in a chipboard jacket with WAV download card / 1CD in a 6-panel, eco-wallet case.

Tempo dos Mestres (Time of the Masters) is the second album from the tireless, young Brasilian guitarist Fabiano Do Nascimento. It finds its roots in the depths of the Amazon rain forest, passed down through generations of Native Brasilians, and is imbibed by the Afro-Brasilian culture that arose after Portuguese colonization. It is the third Brasilian album released on Now-Again, following Seu Jorge and Almaz and Do Nascimento’s debut Dança dos Tempos. Do Nascimento’s is joined on Tempo dos Mestres by his long time percussionist, Ricardo “Tiki” Pasillas on trap drums and percussion, and Sam Gendel on saxophone and flute. Vocals are performed by Thalma de Freitas and Carla Hasset.

The album was produced and mixed by Dança dos Tempos producer Luther Russell, who recorded Do Nascimento and his band directly to a 1/2″ Ampex tape machine with engineer Jason Hiller. It was sparingly mastered by Elysian Masters to focus on the subtleties of the performances. Do Nascimento’s fans include legendary percussionist Airto Moreira, who recorded Dança dos Tempos and can be found playing live with Do Nascimento. “He’s Brazilian but (his mind is) from a place in Brazil that is not common.” Moreira states. “Fortunately, we still have some musicians who like to play music and who like to touch the instrument and who like that energy!”

Wells Fargo – Watch Out! Rock Music and Revolution in 70s Zimbabwe

Now-Again — January 10, 2017 | Comments (0)

ON SALE NOW: WELLS FARGO – WATCH OUT

Just as the hippie era came to an end in America, a second 60s was beginning. In what is now Zimbabwe, young people created a rock and roll counterculture that drew inspiration from hippie ideals and the sounds of Hendrix and Deep Purple. The kids in the scene called their music “heavy,” because they could feel its impact, and it resonated from Zambia to Nigeria. (more…)

Isaac Hayes & Bar-Kays – Do Your Thing – full, unreleased take coming on Record Store Day 11/25/16

Now-Again — November 4, 2016 | Comments (15)

ON SALE: ISAAC HAYES & THE BAR KAYS – DO YOUR THING

Now-Again presents a vinyl release of the full 33-minute, previously-unreleased, psychedelic funk jam session by Memphis rhythm kingpins the Bar-Kays, mixed directly from the original 2-inch tape. LP contains bonus rhythm section instrumental and booklet detailing the history of this never-before-heard version of one of Isaac Hayes’ most famous songs.

Hayes was already a cutting-edge funk master at Stax Records when he accepted the unprecedented assignment of creating a soundtrack for the 1971 action flick Shaft. At a time when R&B songs routinely timed out at three minutes and under, Hayes’ albums for Stax’s Enterprise imprint had been breaking new ground since 1969. His masterpiece Hot Buttered Soul consisted of only four tracks, two songs on The Isaac Hayes Movement clocked in at a hair under 12 minutes, and one selection on his …To Be Continued stretched to 15:33.

But his epic “Do Your Thing,” one of the cornerstones of the two-LP Shaft soundtrack, outdid them all. Occupying nearly the entire last side of the set, it concluded after 19-and-a-half grooving minutes with the overdubbed sound of a needle scratching violently across a piece of vinyl. No one knew that jarring ending masked the existence of another 13 minutes of “Do Your Thing.” Consigned to the vaults, those improvisatory extensions—somewhere in between free-jazz and psychedelic rock—were seemingly destined never to be heard.

Johnny! Ghanaian Afro-Rock 45s

Now-Again — October 26, 2016 | Comments (1)

ON SALE: JOHNNY! 45 COLLECTION

Introducing: Johnny! Ghanaian Afro-Rock from German producer/composer JJ Whitefield and an international cast of top shelf musicians.

Limited edition of 1000. Not to be repressed. Comes with download card for wav files. Die-cut dress jacket and resealable “Japanese-style” sleeve.

Whitefield, who in the early ‘90s revived the gritty, analogue Funk sounds of the ‘60s and ‘70s with his Poets Of Rhythm, has been working with Now-Again Records for almost a decade, releasing a flock of acclaimed projects with Karl Hector & The Malcouns, Whitefield Brothers, Rodinia and the Original Raw Soul anthology.

He first started exploring African rhythms with the Whitefield Brothers in the late ‘90s, continuing in the ‘00s with Karl Hector & The Malcouns. He’s been instrumental in launching Ghanaian Afro Beat/Funk legend Ebo Taylor´s international career, decades after the maestro recorded the landmark albums that have inspired thousands. Whitefield recorded two new studio albums with Taylor and toured in his band between 2009 and 2013, where he met Taylor’s son Henry and percussionist/Singer Eric Owusu.

The trio now front the Johnny! band and find inspiration not only in Ghana’s hypnotic grooves, but also the full frontal fuzz guitar assault heard on the legion of 70s Zambian Zamrock albums recently reissued by Now-Again. Indeed, Whitefield credits his tours with Zamrock godfathers Rikki Ililonga and WITCH’s Jagari Chanda as instrumental in creating the Johnny’s sonic backdrop. The band is rounded out by Turkish drummer Bernd Oezsevim (Woima Collective, Rodinia) and Indonesian bassist/multi instrumentalist Tomi Simatupang (Whitefield Brothers).

This is Dance Rock at the core with the possibilities to stretch out and go into psychedelic realms. The results, spread out over three 7” singles and pressed in a run of 1000 units each, speak for themselves. Every record comes with a download card for WAV files of all six tracks (vocals and instrumentals from each release) and point at a new direction for the music inspired by the Great Continent. One that takes a direction once mocked as derivative and asserts its importance on the globe’s current musical stage.

KALEIDOSCOPE – Puerto Rican garage rock classic

Now-Again — August 30, 2016 | Comments (4)

ON SALE: KALEIDOSCOPE – KALEIDOSCOPE

One of the great psychedelic rock albums is finally back in print on vinyl in a band-licensed reissue. Its roots are in Puerto Rican teenage garage rockers; it was recorded in the Dominican Republic at the high-point of the flower power era; it was only ever pressed in a miniscule run in Mexico in 1969.

Now one of the most sought after rock artifacts on the planet, Kaleidoscope is remastered and reissued with an extensive, photo-filled booklet with the story of the band and their album by historian Enrique Rivas Viniegra.

P.S. If you dig trivia, Kaleidoscope’s “Let Me Try” was sampled for Beyonce’s “Freedom”

The original album release:

Rob Thomsett’s collected works to be released by Now-Again

Now-Again — July 6, 2016 | Comments (0)

SUBSCRIBE: NOW-AGAIN RESERVE

Australian guitarist/visionary Rob Thomsett’s collected works – two LPs – will be combined into one package as the fourth release in Now Again Reserve, shipping this fall. Stream the album below.

Originally privately pressed in tiny numbers in Canberra in the mid-‘70s, Yaraandoo & Hara have become sought after examples of the best in progressive jazz/rock.

“Taking in impressionistic hazy instrumental jazz … muscular fusion moves, solo Mellotron pieces as heavenly as anything Beethoven or Handel ever concocted, extremely loose-limbed ethno-fusion soundscapes of the Don Cherry/Pharoah Sanders variety, film soundtracks … and electronic experimentalism … hair-raising, soul-searching beauty – with an overall dreamy, hazy quality that perhaps could only be written by an Australian fully conversant with the “Dreamtime” cultural feel for the myths and legends of the Outback.” – Julian Cope’s Head Heritage.

This reissue is produced with the direct participation of their creators. See all release details.

Rob Thomsett’s notes to Yaraandoo:

Yaraandoo: The Legend of the Southern Cross
Baiame: In the Beginning, Biame the All-Father also known as the Sky-King walked upon the Earth.
Moulding of Red Earth: Out of the red earth, he fashioned with hands two men and a woman.
Nameless Children: They lived and Baiame was pleased. He showed them how to live off plants and roots.
Drought – Killing: But there came a terrible drought and the once fertile land became barren. As the plants were dying, the men and the woman began to starve. In desperation, one man killed a kangaroo rat and he and the woman began to eat its flesh.
New Life – Refusal: As they became stronger they called to the remaining man to join them. Not wishing to go against the wishes of Baiame, he refused. Very weak, he staggered off into the red desert.
Shadow of Yaraan: When they had finished eating, the man and the woman started searching for their companion. They found him lying beside Yaraan – the great white gum tree.
Yowi – The Spirit of Death: As they approached him they saw a huge, black figure with red eyes lift him gently and place him in the fork of the white gum tree.
Flight of Yaraan: With a clash like thunder, the tree left the ground and flew swiftly towards the southern skies. The man and the woman could still see the eyes of Yowi – and the eyes of their companion.
Endless Search: Uttering unearthly screeches, two Mooyi – yellow crested cockatoos – flew after the tree which had been their roosting place.
Entrance to Warrambool (Parts I and II): At last, the tree came to rest at the entrance to Warrambool – the Milky Way – the world of the Sky Gods. The tree slowly vanished but the four eyes remained staring down at the Earth and forever marking the entrance to the World of the Gods. Thus Yaraandoo – the Southern Cross – was formed and the North and South points are the faithful Mooyi who fly in vain after the great white tree.
Tears of Blood – Endless Weeping: Knowing that Death had come to the Earth, the gum trees wept tears of blood and the swamp trees forever moan their sad song.