Egon is hosting a one month residency on NTS Radio – four (maybe five?) two hour shows of music from around the globe. Here’s an hour of the first show.
3:33 Rob Thomsett Entrance to Warrambool (Part I and II)
4:04 The Cyrkle Nicole
8:59 Eric Burdon Winds Of Change / Poem By The Sea
5:01 Mighty Ryeders Help Us Spead the Message
3:56 Ray Alexander Technique Special One
2:11 Dusko Goykovich Macedonian Fertility Dance
4:42 Dusko Goykovich Balkan Blue Modal Jazz
7:04 Sons & Daughters Of Lite A Real Thing
5:18 Southern University Jazz Ensemble Clean Air
2:52 Jose Pirates Imbarobo
3:26 Baden Powell Sarava
2:44 Orlann Divo Beleza No Vai Embora
4:03 Peter Lemer and Asilah 80 Invocation
8:38 Lightmen Plus One On The Road Home (Mono version)
3:09 Annexus Quam
3:18 Trubrot Eg Veit Ao Pukemur
2:25 Joao Bosco Quem Sera
2:11 Waltel Branco Tema De Abertura
2:48 Groep 1850 Friday I’m Free / Hunger
3:03 Illes Zenekar Mejez Az Ut
2:41 Träd Gräs Och Stenar Sanningens Silverflod
5:38 Steve Reid Lions of Judah
3:08 izvir Vibrolux
7:27 NO INFO
3:44 Erasmo Carlos E Presciso Dar Um Jeito Meu Amigo
3:31 Round Trip Ticket Captain Purple Rides Again (Down By The River)
4:02 Girma Beyene Ene Negne By Manesh
3:28 Manu Dibango Liberations Song
3:34 Odmenn It Takes Love
This is a mix of late 60s to mid 70s rock music from all over the world: America to Germany to Japan and everywhere in-between. It’s the type of rock Madlib used for the Rock Konducta records, and is a mixture of the incredibly rare and random dollar bin finds that makes crate digging in the rock idiom so much fun. A lot of this is underground – one example was literally recorded by Dusseldorf twenty-somethings in a bomb-shelter, a literally exorcising of Nazi demons through Krautrock – and some of it is from bands that had pop aspirations but recorded something heavy and probably a bit odd as the one-off awesome track on an otherwise forgettable album. Live mix using 2 CDJs, no edits, some mistakes, that’s the way it goes. Shout outs to Twink, Bunker Records, Franz Wippel, any band that spells April with a “y” instead of an “i,” state-run labels from former communist countries who had the nerve to get down with hard psych and Madlib, of course, for finding the funk in all of this.
Boiler Room set up shop in Egon’s office in Highland Park, Los Angeles, CA as he digs through his own collection, playing a few records.
This is currently streaming at BoilerRoom.tv and the archived video is embedded above.
Eothen “Egon” Alapatt runs Now-Again Records, he’s one of the Rappcats crew, and the former general manager at Stones Throw (2000-2010). Also check out Boiler Room’s editorial piece about the day the session was filmed: “We had the great pleasure of being let into the Now-Again Records office this month. Long before Collections was a concept, but very shortly after Egon impromptu opened for Madlib at our San Francisco show with heavy psych gems, we had the irrepressible urge to trawl through his records. Timing saw us pushing this one back quite a bit, so when the cohesive idea of Collections was introduced we eagerly re-approached the idea. We’ve of course picked up snippets here and there through the label itself as well as via his Funk Archaeology series, but nothing beat us seeing – strike that, hearing – for ourselves.”
Sixteen Things We Know About Damon is a short film by Andrew Gura: a voice and music driven story that uses animated archival stills, stock footage and typography, lo-fi textures, left-field sound design to tell the nearly impossible backstory behind Damon’s Song of a Gypsy
ON SALE: DAMON – SONG OF A GYPSY
Damon’s Song of a Gypsy, underground psychedelic rock from the late 60s – reissued album from Now-Again Records
Damon’s Song of a Gypsy is regarded as one of the finest privately-pressed psychedelic rock records ever made. It has, for over twenty years, been one of the most sought after late 60s rock artifacts in the world, with the scant original copies that exist exchanging hands for thousands of dollars. Bad bootlegs and scrappy reissues have spread the music a little but left Damon’s story untouched, leaving Song of a Gypsy high on its own plateau: out of reach and indescribable.
This edition investigates Song of a Gypsy’s seemingly impossible story – one that encapsulates the last bloom of the flower power movement before it decayed into the haze of the
Egon recently visited Gilles Peterson’s Brownswood to offload some of his music knowledge with a mix and interview for Gilles’ syndicated Worldwide radio show.
On the web: gillespetersonworldwide.com