Common’s “Rewind That” from his latest album Nobody’s Smiling tells a personal story of his relationships with No I.D. and J Dilla.
This one’s for my man J Dilla
As I say these words, my eyes fill up
Cuz wasn’t non’ realer than James Dewitt Yancey
So I’mma dedicate this to Dilla and his family
In Q-Tip’s basement, I first met Jay Dee
I still remember the first beat he played me
He came to the Chi late three that was crazy
Didn’t even know me and gave ’em to me for free
I got the the D, “peace yo, big love”
Cook up some hot shit, then go to the strip club
Then we made “The Light” and times got brighter
I said “turn it up” Jay’ll take it higher
One day, I noticed he was tired quick
That’s when I found out, Jay Dee was real sick
Things got worse before they got better
I said, “Come to L.A. for peace and good weather”
We got an apartment just so we could spark it
MP in the front room, records in the closet
The beats got iller, but the sickness was still there
I’m wishing I could will him out of his wheelchair
It was hard for me to come home every day
And see my homie Jay’s life fade away
I stayed away some times, in other words I ran
Til one day J brought me this TV stand
It was a gift so I couldn’t refuse it
It came from his heart, I regret I didn’t use it
The lupus got worse and, for what it’s worth
I wanted him to have a Grammy before he left this earth
Wishing we could have that time back
Oh we can, yo man, rewind that.
This is a mix of late 60s to mid 70s rock music from all over the world: America to Germany to Japan and everywhere in-between. It’s the type of rock Madlib used for the Rock Konducta records, and is a mixture of the incredibly rare and random dollar bin finds that makes crate digging in the rock idiom so much fun. A lot of this is underground – one example was literally recorded by Dusseldorf twenty-somethings in a bomb-shelter, a literally exorcising of Nazi demons through Krautrock – and some of it is from bands that had pop aspirations but recorded something heavy and probably a bit odd as the one-off awesome track on an otherwise forgettable album. Live mix using 2 CDJs, no edits, some mistakes, that’s the way it goes. Shout outs to Twink, Bunker Records, Franz Wippel, any band that spells April with a “y” instead of an “i,” state-run labels from former communist countries who had the nerve to get down with hard psych and Madlib, of course, for finding the funk in all of this.
On the heels of his Juxtapoz cover, Madlib (and Quasimoto) are on the cover of this month’s Bonafide Mag released in UK this month. Madlib cover interview by Kidkanevil, photo by Jimmy Mould, illustration by Jeff Jank.
Rock Konducta Pt. 1 and Rock Konducta Pt. 2 have both been released this week. The vinyl and digital are in two parts, and the CD edition as one double disc set.
Juxtapoz #163 (August 2014) features a Madlib cover story, with interview by Gabe Scott with Jason Jagel, Eothen Apapatt and Freddie Gibbs.The magazine cover is illustrated by Jason Jagel, featuring cameos from Lord Quas, DOOM, and world of anonymous jazz cats & rap cats. Photo by Estevan Oriol. Expect the magazine on U.S. newsstands in July.