Hoe Cakes: EXTRA DOOM. Jagel Jagel x MF DOOM

MF DOOM — June 25, 2015 | Comments (2)

ON SALE: HOE CAKES EXTRA DOOM

Signed and numbered edition of 40: archival pigment prints of Hoe Cakes. Each piece has hand-painted elements along the top, bottom and side of the print, including an ‘extra doom’ character placed at the bottom. The print measures a generous 14.75″ x 12.75″ and is printed at Gallery 16 in San Francisco on luxurious 100% cotton rag with the brightest colors possible.

Here’s a video clip of all 40 prints.

This edition of 40 was made for the “Doomsday Show” at Rappcats, June 2015. 28 were sold on location at the show. The original Hoe Cakes print (without the extra painting) was an edition of 180. They are now sold out.

Madlib Mind Fusion: African Earwax

Madlib, Mind Fusion — June 20, 2015 | Comments (14)

Madlib has a new mixtape called Mind Fusion: African Earwax. He made 30 copies of these on CD, each of which was being given an individual hand-drawn cover by Jason Jagel and sold at the Doomsday Show at Rappcats, June 20, 2015.

Here’s the mix in full. This is the first mix on Madlib’s Mixcloud page http://mixcloud.com/madlib

Mind Fusion began as a five-volume mixtape series, released 2004-2007. These mixtape CD releases bare no label or address, just the name “Madlib” designed like the Tamla Records logo. Vol 1 and Vol 4 contain production from Madlib. Vol 2 is a jazz mix. Vol 3 and Volume 5 are mixes of records from around the world. Liner notes in each volume, from authors such as Thurston Moore, Vaclav Havel, LeRoi Jones, and Lungston Hughes, range from essays on jazz, a Los Angeles guides, poems, tips on making bombs at home.

MORE ABOUT THE SERIES:
Madlib Mind Fusion
Madlib – Mind Fusion Vol. 1: Hip-Hop
Madlib – Mind Fusion Vol. 2: Jazz, Funk, Soul
Madlib – Mind Fusion Vol. 3: Dirty Crates from the Bottom
Madlib – Mind Fusion Vol. 4: Hip-Hop Remixes, Nas Vs. Jay Z, & CDP Archives
Madlib – Mind Fusion Vol. 5: Dirty Crates from Around the World

THE DOOMSDAY SHOW at Rappcats, Los Angeles, June 20, 2015

MF DOOM — June 15, 2015 | Comments (16)

One day only. Paintings and prints by Jason Jagel. We’ll have prints for sale, 40 “Extra Doom” hand-embellished Hoecakes prints, our back stock of MF DOOM Operation Doomsday lunch boxes cassette box (out of print), two new tees.

Saturday, June 20, 2015. Noon-8 PM.
Rappcats. 5636 York Blvd, Los Angeles CA 90042.

Philophon 45s

Philophon — June 12, 2015 | Comments (0)

Philophon 005: Idris Ackamoor & The Pyramids

The Pyramids and their multi-instrumentalist leader Idris Ackamoor have revived the burning fire behind three lauded privately pressed 1970s albums and the movement that followed. The Pyramids’ honest love for music, their firm belief in its social impact have shaped their story and style: after studying with free-jazz icon Cecil Taylor, the Pyramids left for a journey through Africa in 1972 where they connected with their cultural roots and developed their own musical vision. On “Rhapsody in Berlin” their vision is still bright and unclouded: a melodic horn theme interplays with a Pygmy flute, driving guitar riffs and heavy funk rhythms. Co-produced by Ackamoor and drummer Max Whitefield.

Philophon 004: Hailu Mergia

Ethiopian jazz/funk legend Hailu Mergia’s “Musical Silt” was one of the pinnacles of 70s Ethiopian music, a cornerstone in the Ethiopiques series and was recently reissued on its original album by Awesome Tapes From Africa. But it’s creator hasn’t released new music in thirty years – until now. This, his first set of new recordings in three decades, find that he hasn’t missed a beat since leaving the recording sphere. The pair of he and Philophon’s Max Whitefield (drums/producer) couldn’t be better and this 45 reflects Philophon’s overarching philosophy: to put on vinyl something precious that it makes you forget time and space and leaves you alone with the only thing that matters: awesome music.

Philophon 003: Roy X

Roy X (ne Jimmy Taylor) is the youngest son of Ghanaian Highlife/Afrobeat legend Ebo Taylor. His inherited rhythm spills into his rapping and on this 7″ he raps over music created by Philophon label boss/producer Max Whitefield. On “Oduyewu” he pays respect to the timeless sound his father created; on “Sakawa” he meanders through dream-time, helped along by a Whitefield Brothers sample interwoven into the live music bed.

Philiphon 001: Guy One

Guy One, the most famous voice of the Frafra people in northern Ghana, is a super star among his people. He sings while playing the Kologo, an ancient two stringed banjo, mostly for traditional occasions. His words always have a strong meaning which gives him the attribute of a singing philosopher. For his Philophon debut, he teamed up with drummer/producer Max Weissenfeldt, to meld Max’s deep grooves with a haunting choir of Frafra soul.

Czarface & DOOM. “Ka-Bang!”

MF DOOM — June 5, 2015 | Comments (9)

Here’s some new shit from the villain with Deck, 7L & Esoteric.

Stark Reality

Now-Again — June 2, 2015 | Comments (0)

ON SALE: STARK REALITY DISCOVERS HOAGY CARMICHAEL’S MUSIC SHOP | ROLLER COASTER RIDE

Stark Reality were a group led by Monty Stark, with John Abercrombie on guitar, performing an impossible-to-categorize fusion of psychedelic rock, jazz and funk. In 1970 they recorded a heavily-improvised reinvention of a 1958 children’s album by songwriter Hoagy Carmichael, to be used for the show Hoagy Carmichael’s Music Shop which aired on PBS in Boston. The album, Stark Reality Discovers Hoagy Carmichael’s Music Shop, is now available reissued on 3/LP vinyl in its entirety. The group’s non-album recordings are collected on the 2/LP set Roller Coaster Ride.

“Stark Reality: Now is Starkers!” – Jazz Times
“Reality check. How Hoagy Carmichael, children’s music, and a TV station combo played into one of the most collectible records in hip-hop.” – San Francisco Bay Guardian

Richard Marks – Never Satisfied, The Complete Works 1968-1976

Now-Again — May 18, 2015 | Comments (2)

ON SALE: RICHARD MARKS – NEVER SATISFIED, COMPLETE WORKS 1968-1976

Legendary soul and funk singles from Atlanta guitarist/singer/songwriter Richard Marks. Includes previously unreleased tracks.

Seven years in the making, Never Satisfied is Now-Again’s collection of legendary soul and funk singles by Atlanta Guitarist/Singer/Songwriter Richard Marks. This 21-track anthology follows Marks’ stylistic development, from his earliest work for the legendary Tuska label, c.1968-1972, through his more mature releases on the Shout label and smaller regional labels like Note, Free Spirit and RSC. It also includes two tracks never released in any form, found on reels Marks had maintained in his Atlanta home.

Marks’ story is that on an unsung soul and funk hero; a guitarist, vocalist and songwriter whose number was in Al Green’s, Barry White’s and Eddie Kendricks’ rolodexes, but whose talents have only been heard in sporadic bursts since his 45s were released and disappeared into Atlanta’s urban expanse.

This is the story of a father and husband who managed to keep his family together as he gigged the third shift six nights a week. The story of a man who wished for more and whose talent is overdue for reassessment.

He and his music are unknown to the majority, but to an obsessive minority, he is a lightning rod, that singular point at which numerous Southern soul and funk musicians converged and exploded, spreading wondrous music in all directions. Marks’ impeccable run of 7” singles, released largely on tiny, local labels, are the stuff of legend, and are hen’s-teeth-rare.

Marks died of cancer in May of 2006, never having issued an album, or ever granting an interview. Given the caliber of his recordings and the near complete lack of information available about him before the issue of this anthology, Marks stands out as the most mysterious talent to originate from Atlanta, a city that birthed no shortage of genius, from acclaimed worldwide (the Mighty Hannibal), obscure yet celebrated (Lee Moses) and local, but well documented (Tommy Stewart).

Freddie Gibbs & Madlib PIÑATA GIBBS T-shirt

Freddie Gibbs — May 1, 2015 | Comments (1)

ON SALE NOW: PINATA GIBBS ON BLACK | PINATA GIBBS ON WHITE

Freddie Gibbs in the Piñata/zebra style. This is a blue/orange print on black t-shirt. Photo by Peter Beste, design by Jeff Jank.

Rappcats. Los Angeles Pop-Up. Apr 18–19, 2015

Rappcats — April 15, 2015 | Comments (4)

Rappcats first pop-up event is happening this weekend.

April 18-19, Saturday & Sunday, Noon-6PM
RAPPCATS. 5636 YORK BLVD, LOS ANGELES CA 90042

We will have:
J Dilla “Fuck the Police” 10-inch die cut picture disc from Pay Jay
MF Doom / KMD – Black Bastards – Book/CD/45 reissue from Metal Face Records
Amanaz – Africa Essential 1970s African rock album, definitive reissue on Now-Again
Our final stock of the J DILLA FIGURE. We will have 100 available on Saturday, 100 available on Sunday.
& Good times.

If you’re nowhere near Los Angeles, most of these items will go on sale at rappcats.com midnight on Record Store Day, Apr 18. The J Dilla Figures will be at the pop-up event only / 1 per customer. Credit cards accepted.

BEYONDOOM

MF DOOM, mos def — April 4, 2015 | Comments (29)

Mos Def (Yassin Bey) covers Doom: Rainbows, Beef Rap, Strange Ways, Accordion, Curls, All Caps, Mayo Clinic (over J Dilla’s beat for Oh No’s “Move Pt. 2”). Filmed last May at Fort d’Aubervilliers by Samuel Thiebaut, edited by Antoine Kerninon, produced by Culturebox.


ORIGINS OF THE VILLAIN

MF DOOM — March 12, 2015 | Comments (9)

This is a video & audio mix that has played as an opening for MF DOOM shows in Europe. Put together by Sims, Mass & Alan the G of French collective Now Futur, it’s plays tribute to much of Doom’s source material, flipping his beats and recreating them using original samples and videos.

Thanks again to Mr Mass, the man with the camera: Doom, Madlib, J Rocc & Gibbs turn a Newport Light to a joint right before your eyes | DOOM in Lyon


J Dilla – FUCK THE POLICE – Badge 45

J Dilla — March 10, 2015 | Comments (14)

IN THE SHOP: J DILLA – FUCK THE POLICE – BADGE 45

J Dilla’s classic, out of print for over a decade, has been remastered from Dilla’s original mixes and issued on Pay Jay Productions as a badge-shaped 9“ picture disc single. Both the vocal and instrumental come straight from mix-downs that Dilla himself created.

This limited edition 9″ badge-shaped picture disc single features Jeff Jank’s ironic take on Dilla’s message and comes in a thick, custom-made pocket fold-over, inserted into a Japanese-style, resealable clear plastic sleeve.

This is a Record Store Day 2015 release.

KMD – Black Bastards – Popup Book, CD, 45

IN THE SHOP: KMD – BLACK BASTARDS – BOOK/CD/VINYL

Available Record Store at Rappcats Pop-Up Shop.
April 18-19, Saturday & Sunday, Noon-6PM
RAPPCATS. 5630 YORK BLVD, LOS ANGELES CA 90042

MF DOOM’s first group and their controversial sophomore release Black Bastards (Bl_ck B_st_rds) is being reissued by DOOM’s own Metalface Records imprint for Record Store Day 2015 in the format of a children’s pop-up book.

This includes two CDs – the original album and second disc of bonus material – and a 7-inch picture disc of “What A Nigga Know” housed in the back cover featuring the group’s iconic “sambo” mascot. This “board book” package has a sambo pop-up on the last spread.

In Brian Coleman’s recent book Check the Technique, he wrote extensively about the album and it’s critical role in shaping the persona of MF DOOM: “There are few releases in hip-hop history with as much mystery behind them as KMD’s second full-length, Black Bastards. The album, whose cover boldly depicted a cartoon ‘Sambo’ being hanged, didn’t even receive the insult of being shelved or pushed back by Elektra Records upon its completion in 1994. Instead, it was outright refused, with very little above-board explanation as to the reason, or even much of an apology, as they ushered the group’s leader out the door.”

READ: KMD’S BLACK BASTARDS AND THE BIRTH OF MF DOOM

This is a Record Store Day release. It will be available Apr 18 2015 at Rappcats.com, at the Rappcats Pop-Up Record Shop – address TBA – and at participating record stores around the U.S. A vinyl release of Black Bastards will follow.

Below: early 90s photo of Zev Love X (Photo by Pete Nice); promotional postcard for Black Bastards c.1994 (Adler Hip-Hop Archives, Cornell University Hip-Hop Collection)



Amanaz – Africa

IN THE SHOP: AMANAZ – AFRICA

Available Record Store at Rappcats Pop-Up Shop.
April 18-19, Saturday & Sunday, Noon-6PM
RAPPCATS. 5636 YORK BLVD, LOS ANGELES CA 90042

Essential 1970s African rock album, definitive reissue on Now-Again

Issued in 1975, this is the articulation of Zambia’s “Zamrock” ethos. While other albums – Rikki Ililonga’s Zambia, WITCH’s Lazy Bones!! – are competitors, it’s hard to best this album as it covers each major quadrant of the Zamrock whole: it came from the mines; its musicians were anti-colonial freedom fighters, it envelops Zambian folk music traditions. And it rocks.

The album was given two separate mixes and two separate presses: one version is dry, with the vocals and drums mixed loud, the other slathered in reverb, with the vocals and drums disappearing into the mix, and with the guitar solos mixed much louder. Now-Again has presented them both in this anthology. This is a highpoint of the Zamrock scene and this is its definitive reissue.

2/LP, 2/CD set contains both released versions of the album: a dry, drums-up mix and reverb-drenched fuzz-guitar dominated mix and an extensive booklet containing an essay on the album and detailing the history of the Zamrock scene and this album, with notes from Amanaz’s Isaac Mpofu and Keith Kabwe and rare photos. Download card included with LP version.

This is a Record Store Day release. It will be available Apr 18 2015 at Rappcats.com, at the Rappcats Pop-Up Record Shop – address TBA – and at participating record stores around the U.S.

Shipping update: J Dilla Figure & Stussy shirts

Rappcats — February 25, 2015 | Comments (7)

An update for everyone who has pre-ordered a J Dilla Figure from Rappcats: We’re happy to announce that all of our figures have now arrived at our warehouse. There is a lot to pack and ship, but we expect to have them all in the hands of USPS by the end of this week (February 28). The figures are shipping from Boston MA.

Tracking numbers: Once your order has been processed for shipping, you should receive an email from our distributor with a subject line of “TEG has sent you a package” or “Chris Jimson has sent you a package.” This email will contain your tracking number.

February 2015 release. When we announced the J Dilla Figure back in December, we estimated a February ship date. It’s been a long wait, and we’d like to thank everyone for their patience.

J Dilla x Stussy T-shirts. Theses are currently on backorder and are expected to ship sometime the first week of March.

Thanks JPrez805 for the photos.

Fabiano do Nascimento – Dança dos Tempos – with Airto Moreira, from Now-Again Records

Now-Again — February 24, 2015 | Comments (1)

ON SALE NOW: FABIANO DO NASCIMENTO – DANCA DOS TEMPOS

Fabiano do Nascimento’s debut album: folkloric Brasilian/Afro-Brasilian, featuring Airto Moreira.

Dança dos Tempos is the debut album from Brasilian guitarist Fabiano do Nascimento, featuring legendary percussionist Airto Moreira in his first album project in over ten years. Dança dos Tempos follows folkloric Brasilian music as experienced through the mind and able fingers of an expansive musician, not yet thirty years old, and combines the heady ‘60s and ‘70s experimentalism of Hermeto Pascoal and Baden Powell with the childlike elegance of music played and passed down by native Brasilians for generations. It is the second Brasilian album released on Now-Again, following Seu Jorge and Almaz.

Moreira, the bandleader, songwriter and producer, plays percussion on the album and is joined by Fabiano do Nascimento’s long time drummer, Ricardo “Tiki” Pasillas on trap drums. Do Nascimento and Kana Shimanuki handle vocals on what is otherwise an airy instrumental album that allows the guitarist’s virtuosity to shine through originals, folkloric Brasilian songs, and select covers by the likes of Pascoal and Powell, both formative influences on the guitarist.

These duets show the camaraderie that two master Brasilian musicians – of two different generations, but of the same spirit – share with comrades of ages past as they imagine music for the years to come. These tracks were recorded live in the studio with no overdubs by producer Luther Russell and engineer Jason Hiller – straight to 2-inch analog-tape, and only sparingly mastered to focus on the subtleties of the performances.

Here is a short film about the project shot and edited by Bennett Piscitelli.

J Dilla x Stussy Tee – DILLA COLLAGE

J Dilla — February 10, 2015 | Comments (15)

ON SALE: J DILLA X STUSSY: DILLA COLLAGE (BLACK) | J DILLA X STUSSY: DILLA COLLAGE (WHITE)

The new Stussy and J Dilla tee is here. This will be the third t-shirt collaboration between the iconic street wear brand Stussy and The Estate of James Yancey. Tees are on sale and shipping now from Rappcats.com and Stussy. Rappcats ships worldwide.


Madlib T-shirts.

Madlib — January 21, 2015 | Comments (1)

Madlib T-shirts are available again. Quasimoto Q.E. is a homage to Public Enemy, their logo flipped by Jeff Jank. Madlib by Parra is the Dutch illustrator’s nearly impossible-to-read take on the Los Angeles Dodgers logo. Aliases is a tribute to the many characters of Madlib’s musical universe, designed by Brent Rollins. Smoked Out … yes, that says “Madlib” … this was designed by Gustavo Eandi for Madlib Medicine Show #11.



THESE ARE THE JB’S, the lost James Brown / Bootsy Collins album, second edition.

Now-Again — January 20, 2015 | Comments (1)

IN THE SHOP: THE J.B.’s – THESE ARE THE J.B.’s (Second edition)

By popular demand, a second edition of the lost James Brown/Bootsy Collins album. 1LP, Standard LP jacket, booklet. Now shipping

Last year we quickly sold out of the J.B.’s album These Are The J.B.’s, released by Now-Again Records. We sold out so fast that we and the label were inundated with requests from funk fans who couldn’t fathom that a record that was meant to sell for $25 wasn’t available in their local store and was appearing on the secondary market for between $35 and $50.

They asked us to remedy the situation and we did. We’re pleased to announce the second edition of the album, which is now in production and will be released sometime in late February.

The second edition has a different color scheme on the cover (seen in the photos above), and a standard LP sleeve rather than the old-school thick cardboard “tip-on” sleeve of the first edition. The second edition is labeled “second edition” in the label and copyright line on the back.

All else remains the same: same quality of wax, same booklet, same funk. But we wanted to make sure the folks who bought the first edition had something special and there would be no confusion between the two issues.

The history of this album:

In 1970 James Brown perfectly captured a definitive moment in modern music when he called Bootsy Collins into the studio to record the tracks that would be These Are The J.B.’s, a title given to a King Records test-press LP that was never released, and only rumored to exist.

This album is the epitome of funk music, Brown’s innovation that influenced everything that came after it, from Afro-beat to disco to hip-hop.

If there is any funk ensemble as influential as Brown’s in the post-“Cold Sweat” musical landscape, it’s the Bootsy Collins/Parliament/Funkadelic contingent. Those two streams, as Grammy-winning James Brown historian Alan Leeds details in this album’s liner notes, converged for the first time here.

This is the first commercial issue of this album, overseen by Now-Again’s Eothen “Egon” Alapatt alongside Leeds and Universal Music Group’s James Brown expert Harry Weinger. It was mastered specifically for vinyl by Elysian Master’s Dave Cooley, from the original two-track stereo master that James Brown and his engineer Ron Lenhoff delivered to production forty-four years ago. The album includes a booklet with liner notes by Leeds and Alapatt and unpublished photographs.

Photos: The JB’s in 1970; The JB’s perform with James Brown in 1971; Bobby Byrd and Bootsy Collins c. 1970; These Are The JB’s test-press credit sheet.


Video: The JB’s (with Bootsy and Phelps Collins) backing James Brown and Bobby Byrd in Rome on April 24, 1971.

Ghostface and DOOM reunite for “Ray Gun” by BADBADNOTGOOD

BBNG, MF DOOM — January 9, 2015 | Comments (11)

Freddie Gibbs at Boiler Room

Freddie Gibbs — January 6, 2015 | Comments (5)