Italian music blogger Rappamelo, apparently impatient for a new Beat Konducta album, created his own series of DJ mixtapes, with covers depicting Madlib traveling through Italy. Here’s “Beat Konducta in Lecce,” and “Beat Konducta in Alberobello.”
Meanwhile, Madlib is playing only one date in Italy this year, along with a handful of other shows.
Jun 01: Copenhagen @ Distortion Festival Jun 04: Amsterdam @ De School (Flyer by Parra) Jul 15: Chicago @ Pitchfork Festival Aug 10: Oslo @ Oya 2017, HIFI Tent Aug 12: London @ Sunfall Aug 19: Locorotondo, Italy @ Viva! Festival Oct 13: Miami @ III Points Festival (more…)
Custom-made LP’s delivered once per quarter, presenting some of the rarest records in their respective genres in high quality LP format. Each release is produced with the direct participation of the artist.(more…)
Records and Paper Goods From Founder Joe Abajian’s Collection
For those that weren’t able to make the sale of Joe Abajian’s collection at Rappcats in Los Angeles this past weekend, we’ve assembled a limited amount of grab bags and we’re offering them for sale online, on a first come first serve basis.
Each grab bag comes with four pieces of hip hop vinyl (could be a 12,” could be an LP) and one paper good (either a promo flat or a poster) from Joe Abajian’s collection. We can’t promise you that you’ll get exactly what you’re looking for, but you’ll get a part of hip hop’s history with real provenance. (more…)
Photo: David Axelrod, c. 1969. All photos from Capitol Records archives, all taken at Capitol Studios, Hollywood.
By EOTHEN “EGON” ALAPATT, February 8, 2017.
Writing about the great music producer, composer and arranger David Axelrod without first acknowledging the love and respect I had for the man seems silly. I tried and gave up. Doing a third-person summary without interjecting my first-person opinions seems clinical, and I too greatly admire Axelrod – his friends called him Axe, and he always asked me to do so, so that’s what I’ll call him here – to take an approach I could barely take when I first started researching him in the late 1990s. I’m just too much of a fan, and have been since I first heard his music, to do him that discourtesy.
Axe died sometime in the early morning of February 5th, 2017, at nearly 86 years old. Terri, his wife of 38 years, didn’t want to disclose the cause of his death, saying that the only thing that really mattered is that he was gone. (She later changed her mind and decided to disclose it was lung cancer.) What do you say to a person so dedicated to another, in that first moment of loss, when that other is a force so beyond the normal that you never thought that loss possible? “He just seemed indestructible,” she said, and I knew what she meant. Axe signed off every call with an “I’ll be here.” And, like everything he said, contradictory or not, he meant it. (more…)
Shipping immediately from Rappcats. Official street date February 17.
1LP in a chipboard jacket with WAV download card / 1CD in a 6-panel, eco-wallet case.
Tempo dos Mestres (Time of the Masters) is the second album from the tireless, young Brasilian guitarist Fabiano Do Nascimento. It finds its roots in the depths of the Amazon rain forest, passed down through generations of Native Brasilians, and is imbibed by the Afro-Brasilian culture that arose after Portuguese colonization. It is the third Brasilian album released on Now-Again, following Seu Jorge and Almaz and Do Nascimento’s debut Dança dos Tempos. Do Nascimento’s is joined on Tempo dos Mestres by his long time percussionist, Ricardo “Tiki” Pasillas on trap drums and percussion, and Sam Gendel on saxophone and flute. Vocals are performed by Thalma de Freitas and Carla Hasset.
The album was produced and mixed by Dança dos Tempos producer Luther Russell, who recorded Do Nascimento and his band directly to a 1/2″ Ampex tape machine with engineer Jason Hiller. It was sparingly mastered by Elysian Masters to focus on the subtleties of the performances. Do Nascimento’s fans include legendary percussionist Airto Moreira, who recorded Dança dos Tempos and can be found playing live with Do Nascimento. “He’s Brazilian but (his mind is) from a place in Brazil that is not common.” Moreira states. “Fortunately, we still have some musicians who like to play music and who like to touch the instrument and who like that energy!”
Just as the hippie era came to an end in America, a second 60s was beginning. In what is now Zimbabwe, young people created a rock and roll counterculture that drew inspiration from hippie ideals and the sounds of Hendrix and Deep Purple. The kids in the scene called their music “heavy,” because they could feel its impact, and it resonated from Zambia to Nigeria. (more…)